New This Week
THE ANGEL’S SHARE Here’s something completely different from veteran British filmmaker Ken Loach, dispenser of gritty realism—a bittersweet comedy about a young man in Glasgow trying to escape his petty-criminal past for the sake of his newborn son who gets involved in the fine malt whiskey trade. (Not rated) 101 minutes. Starts Friday.
GIMME THE LOOT In this inner city graffiti adventure, a pair of Bronx teenagers with big dreams of becoming the most famous taggers in the neighborhood have two days to raise the cash to produce their epic masterpiece. Newcomers Tashiana Washington and Ty Hickson star for rookie director Adam Leon. A hit on the festival circuit. (Not rated) 81 minutes. Starts Friday.
IRON MAN 3 Robert Downey Jr. returns as zillionaire industrialist/genius Tony Stark in a third installment that promises (threatens?) to get more gritty and serious than the larky last episode. Ben Kingsley is the designated villain, The Mandarin, determined to take no prisoners in his quest to destroy Stark, his work, and everyone he loves. Gwyneth Paltrow, Rebecca Hall, Guy Pearce, and Don Cheadle co-star for incoming director Shane Black (taking over from Jon Favreau). (PG-13) 130 minutes. Starts Friday.
NO PLACE ON EARTH Interviews combine with re-enactments to tell the amazing true story of five Jewish families who hid from the Nazis for over a year in the utter blackness of an underground cave system in Ukraine, in Janet Tobias’ absorbing documentary. (PG-13) 83 minutes. Starts Friday.
CONTINUING SERIES: MIDNIGHTS @ THE DEL MAR Eclectic movies for wild & crazy tastes plus great prizes and buckets of fun for only $6.50. This week: Call theatre or see ad this issue for program. Fri-Sat midnight only. At the Del Mar.
CONTINUING SERIES: FLASHBACK FEATURES Oldies and goodies on Thursday nights at the Cinema 9, presented by your genial host, Joe Ferrara. $5 gets you in. This week: SCOTT PILGRIM vs. THE WORLD Michael Cera stars in this 2010 adaptation of the Bryan Lee O’Malley comic book series about a guy who has to cope with his new girlfriend’s seven ex-boyfriends. Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, and Anna Kendrick co-star. Edgar Wright directs. (PG-13) Tonight only (Thursday, May 2), 9 p.m., at the Cinema 9.
CONTINUING EVENT: LET’S TALK ABOUT THE MOVIES This informal movie discussion group meets at the Del Mar mezzanine in downtown Santa Cruz. Movie junkies are invited to join in on Wednesday nights to pursue the elusive and ineffable meanings of cinema. Discussion begins at 7 pm and admission is free. For more information visit groups.google.com/group/LTATM.
Movie Times click here.
THE BIG WEDDING An all-star cast livens up this matrimonial comedy in which the divorced adoptive parents of the groom must pretend to still be married for the sake of his conservative Catholic biological mother—to the dismay of Pop’s new wife. Robert De Niro, Diane Keaton, and Susan Sarandon star as the uneasy threesome; Ben Barnes and Amanda Seyfried are the happy couple; Katherine Heigl, Topher Grace, and Robin Williams co-star for director Justin Zackham (The Bucket List). (R) 90 minutes.
THE COMPANY YOU KEEP Robert Redford offers a fine turn here as star and director in a political thriller that effectively illuminates how much has changed in America (revolt, activism) and how much hasn’t (political shenanigans). The film has its flaws, but the story and the performances carry it to nice heights. Redford plays a man who has been living under a false name for 40 years to conceal his former identity as a Weather Underground activist during an incident in which a bank guard was killed. Shia LeBeouf morphs into a young reporter here eager to know the whole story. Look for captivating performances by Julie Christie and Susan Sarandon in particular. Chris Cooper Nick Nolte, and Anna Kendrick co-star. (R) 125 minutes. (HHH) —Greg Archer
THE CROODS A prehistoric family sets out to find a new home when their idyllic primordial homeland is threatened in this animated family adventure from DreamWorks. Nicolas Cage, Ryan Reynolds, Emma Stone, and Catherine Keener provide voices. Kirk De Micco and Chris Sanders direct. (PG) 98 minutes.
DISCONNECT You don’t experience many movies like this coming out of Hollywood lately, so when you do, it’s best to take notice and relish the journey. Much like Crash exposed the decay of social mores with its colliding parallel storylines, Disconnect brilliantly captures the lack of real connection taking place in a world that, ironically, appears to be more “connected” through technology. But, as we already know, people aren’t more “connected.” They’re more disconnected, in fact, and here, we find a gaggle of loose and sometimes lost souls searching for something substantial that can’t quite articulate. There’s a cell phone addict unable to communicate in real life and issues of bullying, porn, and personal information leaked online. And all of it merges so wonderfully in a hypnotic tale that finds its actors—Jason Bateman, Andrea Riseborough, Hope Davis, Alexander Skarsgard, Paula Patton, Max Thierot (of Bates Motel, who shines here!)—turning in some of the finest performances of the year. Some may find the ending a tad over-dramatic, but it fits the tone of the captivating modern-day opera that director Henry-Alex Rubin so wonderfully creates. (R) 115 minutes. (HHHH) —Greg Archer
EVIL DEAD Sam Raimi had a hand in producing this remake/update of his 1981 cult horror hit about a group of unwary friends at a remote cabin who start fooling around with a Book of the Dead and falling prey to nasty demonic possession. Jane Levy, Shiloh Fernandez, and Lou Taylor Pucci star for director Fede Alvarez; expect a female survivor this time around with Diablo Cody helping to cook up the script. (R) 91 minutes.
42 Newcomer Chadwick Boseman stars as Jackie Robinson, the first African American ballplayer to cross the color line into Major League Baseball, suiting up for the Brooklyn Dodgers in 1946. Harrison Ford co-stars as Dodger GM Branch Rickey, whose policy against racism changes the game forever. Written and directed by Brian Helgeland (L.A. Confidential, A Knight’s Tale). (PG-13) 128 minutes. (HHH)—Greg Archer.
FROM UP ON POPPY HILL The latest from Japanese anime master Hayao Miyazaki’s famed Studio Ghibli is directed by Goro Miyazaki, the maestro’s son. It’s an unusual outing for Ghibli in that the story features no overt eco-advocacy message nor any magical elements like gods, demons, or witches. Instead, it’s a simply-told tale of two Yokohama teenagers in 1963, facing life-sized issues of identity, loss, and love in the real world. Miyazaki fans should appreciate the subtlety of the craft here, but viewers coming to anime for the first time might want to start with something a little more dynamic. (PG) 91 minutes. (HH1/2)—Lisa Jensen.
JURASSIC PARK 3D The dinosaurs will be even more killer in 3D, running amok on a tropical island “theme park” in Steven Spielberg’s 1993 fx extravaganza based on the Michael Crichton novel. Homo sapiens co-stars Sam Neill, Laura Dern, and Jeff Goldblum don’t have much to do, but as popcorn-chomping entertainment, the movie delivers the goods. (PG-13) 127 minutes. (HHH)
G.I. JOE: RETALIATION Bruce Willis, Dwayne Johnson, and Channing Tatum power this testosterone frenzy where the elite fighting force not only faces its mortal enemy, Cobra, but battles sinister forces within its own government. Jon Chu directs. (PG-13) 110 minutes.
MUD Reviewed online at gtweekly.com. (PG-13) 130 minutes. (HHH1/2) —Lisa Jensen.
OZ THE GREAT AND POWERFUL Sam Raimi’s lavish prequel imagines the witches and the wizard of Oz in their heedless youth, its mood and texture heavily influenced by the beloved 1939 MGM film. James Franco is fun as the cheesy carnival magician destined to become the wizard (and savior) of Oz, although his superficial character never takes enough of a journey. Mila Kunis, Rachel Weisz, and Michelle Williams are three delectable young witches. Despite some slow-going, dubious plotting, and an unresolved strain of moral ambiguity, the cheeky dash of Raimi’s film, and his affection for the source, makes for a mostly entertaining trip down the yellow brick road. (PG) 130 minutes. (HHH) —Lisa Jensen.
OBLIVION Tom Cruise heads to the futre in this energetic ride that boasts a curious pace and a story that, while choppy at times, somehow works enough to make you think about it after you’ve left the theater. Still, it smacks of Sci-Fi goulash, with plot points from Independence Day, Armageddon and Blade Runner, among others, filling its tapestry. Morgan Freeman seems wasted here, but hey—we never tire of seeing him. The plot: Cruise is a part of a duo known as the mop-up crew in a post-apocalyptic Earth after aliens have destroyed much of the planet’s resources. Earth won the war but the planet was left virtually unlivable. Or so we think. (PG-13) 126 minutes. (HH1/2)—Greg Archer.
PAIN & GAIN Mark Wahlberg, Dwayne Johnson, Ken Jeong and Anthony Mackie star in this action comedy thriller based on a bizarre true story about a trio of buff personal trainers in 1990s Miami who attempt to turn to crime to underwrite their American Dream. Tony Shaloub and Rebel Wilson co-star for director Michael Bay. (R)
THE PLACE BEYOND THE PINES Director Derek Cianfrance, who weaved Blue Valentine into the stunning tapestry it was, proves himself in his second film. It stars Ryan Gosling and Bradley Cooper in a generational drama that does not quite move in linear fashion. Instead we’re given moments in time where Cianfrance evokes a certain mood, steering audiences into considering how one’s fate can often be predetermined by family, residence, social constraints and unresolved emotional issues. Gosling plays a motorcycle stunt rider hoping to support his new family but his intentions venture off course when he delves into a series of daring crimes. Meanwhile, Cooper plays an ambitious rookie cop suddenly lured into the corrupt judicial system. Can he create a sea change by doing the right thing? Eva Mendes, Rose Byrne, and Ray Liotta co-star. (R) 140 minutes. (HHH1/2) —Greg Archer.
RENOIR If you’ve ever wanted to stroll right into the middle of a lush, sun-drenched Impressionist painting by Pierre-Auguste Renoir, here’s the next best thing. Filmed on location in the south of France, Gilles Bourdos’ visually intoxicating film is alive with the extraordinary light and vibrant colors of both the natural world and the robust female forms that distinguish the painter’s most beloved work. True, the storyline rarely rises above Art Bio 101, but it doesn’t have to; every frame is a living, breathing homage to the maestro’s work. Michel Bouquet is a wistful, cantankerous elderly Renoir, Christa Theret is his pert, last model and muse, who lights a fuse in son Jean (Vincent Rottiers) as well. (R) 111 minutes. In French with English subtitles. (HHH)—Lisa Jensen.
THE SAPPHIRES Set in1968, an Aboriginal girl group from the outback morphs into a Motown-style quartet thanks to a down-on-his-luck promoter (Chris O’Dowd) and gets sent to entertain the U.S. troops in Vietnam. There’s a great deal of heart in this film. It also creates a believable backstory for the girls, which allows us to become invested in what transpires for them. Based on a true story, the film is “feel-good” but also well-crafted. A sheer delight. Chris O’Dowd, Jessica Mauboy, and Deborah Mailman star for director Wayne Blair. (PG-13) 103 minutes. (HHH)—Greg Archer
SCARY MOVIE V It’s the satire franchise vs. the Paranormal-type home video horror motif in the fifth outing for the spoof comedy series (with some digs at Black Swan and the Fifty Shades phenomenon long the way). Simon Rex, Ashley Tisdale, Molly Shannon, Charlie Sheen and Lindsay Lohan pop up in the cast for director Malcom D. Lee. (PG-13)
TO THE WONDER Terrence Malick’s latest plays like a series of outtakes from The Tree of Life. It’s as if Malick didn’t have the time to invent new characters, so decided ito recycle the same dynamic between an elemental female (Olga Kurylenko) and an uptight male (Ben Affleck). It’s meant to be an impressionistic tone poem about love, but these cardboard figures in a landscape seem incapable of so strong an emotion. (R) 112 minutes. (HH)—Lisa Jensen.
TRANCE Trippy, but downright alluring. James McAvoy plays an art auctioneer who enables a criminal gang to steal a priceless painting. Or does he? The plot boasts plenty of twists and turns and offers an amazing performance by Rosario Dawson. Meanwhile, Vincent Cassel is effectively brooding as the leader who hires a hypnotherapist (Dawson) to delve into the auctioneer’s troubled psyche—he can’t recall where he hid the paintings. (R) 101 minutes. (HHH)—Greg Archer