Opinion: The Runway Returns

The live comeback of Pivot is a reason to celebrate

Artist: Rose Sellery, ‘In Knots.’ PHOTO: R.R. JONES

Editor's Note

Steve Palopoli Profile Photo

Even though I wrote a feature story last year on the rebirth of drive-ins during the pandemic, I ironically didn’t actually get to any of Santa Cruz’s drive-in events until Pivot’s show in the wide expanse of the Boardwalk parking lot in November. I was already impressed that Tina Brown and Rose Sellery had added a new layer of meaning to their event’s name by suddenly taking this outrageous fashion show they produce every year and turning it into a film to be shown to a drive-in audience. I thought the leaps of faith it must have required to get from “We produce an annual live runway event” to “We are making a film about fashion” were remarkable, since they are entirely different mediums. I wondered what it would even be—just footage of models walking runways? Nah. I knew Brown and Sellery wouldn’t be satisfied with that.

Still, I wasn’t expecting what they were able to create. As thoughtful and relevant as it was stylish, the Pivot film was a beautiful piece of work. The closing segment in particular—a somber metaphorical meditation on the state of the world that featured Sellery’s designs—was incredibly moving. Remembering the power the Pivot crew were able to channel even in the sealed-off drive-in setting makes me excited for the return of their live event. Johanna Miller’s cover story on the Saturday, Oct. 23 show will get you in the mood, too. If you’ve never seen a Pivot show, I can tell you two things from experience: 1) it’s not what you expect a fashion show to be, and 2) you won’t forget it.



Letters to the Editor



Re: Sutter Shift

I feel sad for all of us residents in the mountain area. It was great that we didn’t have to go into Santa Cruz for our urgent care. A lot of us residents up in these mountains don’t have a ride all the way into Santa Cruz, especially for urgent care. Sure wish this decision would have considered us elderly mountain folk.

— Candy Frantz-Crafton

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