Posts By Lisa Jensen
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A&EFilm Review: ‘Wild Rose’
Scottish lass chases country dream in cheeky-but-predictable tale
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A&ECabrillo Stage Revives ‘Beehive’ Era
A timely, energetic jukebox of ’60s music
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A&EFilm Review: ‘Yesterday’
What if The Beatles never existed?
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A&EFilm Review: ‘The Last Black Man In San Francisco’
Displacement fuels poignant, dreamy Bay Area portrait
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A&EFilm Review: ‘The Dead Don’t Die’
Jim Jarmusch zombie comedy could use more brains
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A&EFilm Review: ‘All Is True’
Aging Shakespeare vs. self-delusion in tender, wistful portrait
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A&EFilm Review: ‘Souvenir’
Memoir of film student is nothing to write home about
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A&EFilm Review: ‘White Crow’
Art versus politics in biopic of ballet master Nureyev
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A&EFilm Review: ‘Photograph’
Romance needs more clarity in often-endearing Mumbai drama
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A&EFilm Review: ‘Tolkien’
Fantasy author’s formative years and obsessions take center stage
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A&EFilm Review: ‘Wild Nights With Emily’
A playful exploration of the secret love life of Emily Dickinson
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A&EFilm Review: ‘The Chaperone’
The wild formative years of silent-film star Louise Brooks
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A&EFilm Review: ‘Ash Is Purest White’
Gangsters cope with changing China in ambitious drama
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A&EFilm Review: ‘The Mustang’
Iconic animals and a towering performance highlight prison drama
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A&EFilm review: ‘Hotel Mumbai’
Harrowing depiction of terror will jar viewers, but can it deliver depth?
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A&EFilm review: ‘The Wedding Guest’
Hired gun and runaway bride go on the lam in uneven drama
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A&EFilm Review: ‘Never Look Away’
World War II 'degenerate art' reexamined in German Oscar nominee
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A&EFilm Review: ‘Everybody Knows’
Family reunion triggers suspense in Spanish drama
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A&E2019 Oscar Picks
The odds for Roma, Black Panther, Bohemian Rhapsody and more
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A&EFilm Review: ‘Capernaum’
The child refugee experience comes to life
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A&EFilm Review: 2019 Oscar-Nominated Short Films
A remarkably bleak bunch of live action and animation shorts
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A&EReview: ‘8 Tens @ 8’
Local short-play festival returns with new slices of life
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A&EFilm Review: ‘Roma’
Small virtues celebrated in immersive portrait of Mexico City
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A&EOur Top 10 Films of 2018
Critic picks, from ‘Blindspotting’ to ‘Bohemian Rhapsody’
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A&EFilm Review: ‘The Favourite’
Great performances fuel uneven comedy set in Queen Anne’s England
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A&EFilm Review: ‘At Eternity’s Gate’
Director Julian Schnabel takes a feverish look at Van Gogh’s creativity
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A&EFilm Review: ‘Green Book’
Stars deliver heart, humor and Southern discomfort on the road
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A&EFilm Review: ‘Boy Erased’
Gay ‘conversion therapy’ outed in harrowing ‘Boy Erased’
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A&EFilm Review: ‘Can You Ever Forgive Me?’
Author forges criminal career in edgy ‘Can You Ever Forgive Me?’
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A&ETheater Review: ‘Suds’
Crowd-pleasing ’60s oldies get a new spin in Jewel Theatre Company musical
