Derrick Lee Weeden delivers a thunderous, unforgettable performance as Troy Maxson in Santa Cruz Shakespeare’s production of August Wilson’s Pulitzer Prize-winning Fences.
Christina Waters takes aim at Sarah Hennies’ The Grain House, a world premiere that closed the Cabrillo Festival’s Defiant Dreams concert, arguing that sonic hostility overwhelmed musical imagination.
Shawn Colvin looks back on her years in New York’s folk and country scenes, her Grammy-winning breakthrough and the realities of life as a touring musician. She plays The Rio August 8.
Santa Cruz Shakespeare turns Much Ado About Nothing into a bright, fast-moving romantic comedy filled with sharp wordplay, music, dancing and inspired physical humor.
Santa Cruz native Chloe Chapin returns to Bookshop Santa Cruz with Suitable, tracing how men’s clothing became a language of masculinity, conformity and power.
The Catalyst Atrium is reopening its stage to Santa Cruz musicians with a summer series of affordable weekly showcases curated by longtime local promoter Chas Crowder.
Santa Cruz Shakespeare’s Macbeth delivers a chilling, psychologically rich production led by Dan Donohue's riveting descent into paranoia, ambition and bloodshed.
Cabrillo Stage’s Sister Act delivers powerhouse vocals, exuberant choreography and a high-energy ensemble led by Karriyma Pekary and Jennifer Taylor Daniels.
