Letters to the Editor

Letters

Readers weigh in on Santa Cruz State Parks, license-plate surveillance and the proposed Seahawk battery energy storage project near Watsonville.

The Editor’s Desk

Brad Kava marks 25 years of Jonathan Franzen’s The Corrections and celebrates more Santa Cruz success stories, from Goodles and Kentucky Mule to artist Shaun Logan.

Letters

Good Times readers weigh in on Mozaic, Mak Nova, the Neighbor’s Pub, traffic safety, the Cabrillo Music Festival and sustainable water.

The Editor’s Desk

Brad Kava considers the strange durability of poetry and influencers, Santa Cruz’s celebrated cannabis, new airport grants and a Lost Boys fan-art exhibition.

Letters

Readers sound off on Ani DiFranco and Utah Phillips, UCSC parking headaches, threats to Monterey Bay, a recent cover story and concerns over development at 7th and Brommer.

This week’s letters correct recent reporting on Capitola’s coastal bluff fence and the Over the Hill Gang Saloon, respond to Grateful Dead and Cabrillo Festival coverage, and make the case for rainwater catchment.

The Editor’s Desk

Brad Kava warns about renewed threats to coastal protections and offshore drilling, while also highlighting Pajaro Valley school-board turmoil and questions about food safety.

The Editor’s Desk

From Danny Wright’s Gravity Water systems to Santa Cruz-born Goodles, Brad Kava considers the local innovators finding smarter ways to work with energy, water and food—and asks why we aren’t doing more of it already.

Letters

Christina Waters’ review of Sarah Hennies’ The Grain House continues to stir strong reactions, with readers defending both the critic’s right to challenge the work and the composer’s experimental vision.

Letters

This week’s letters debate artistic freedom and Christina Waters’ scathing Cabrillo Festival review, while one longtime resident pushes back against criticism of Santa Cruz’s older generation.

The Editor’s Desk

Good Times editor Brad Kava weighs UCSC’s controversial parking hikes, questions about campus transparency and why honest criticism—even a scathing review—is essential to credible journalism.

The Editor’s Desk

Brad Kava reflects on the Grateful Dead’s thriving Santa Cruz legacy, a revealing look at who votes locally and why younger voices need more political power.