Spring Cleansing

Spring cleaning is a time-honored tradition, an opportunity to enhance or refresh the home before the dog days of summer begin. Our thoughts turn toward renewal and re-energizing our homes and surrounding area.

If your style borders on the mystical or bohemian, crystals and herbs can be a wonderful, sensual way to reinvigorate the home this spring.

I always loved the natural beauty of crystals, but before starting a collection in earnest, I searched for some scientific basis to claims that an inanimate stone can somehow deliver an emotional charge or create vibrational energies. What I discovered was a whole lot more than I ever imagined.

Science or Psuedo-science?

That’s how I began my deep dive into alchemy—the study of plants, gemstones and crystals—to find fun and sensual ways of using herbs and minerals to attract the good things in life.

There is no denying the beauty of a marble-like carnelian or the misty allure of a frosty quartz cluster, but could crystals, minerals and gemstones really possess metaphysical properties? Lots of people seem to think so.

The premise is that vibrations from the various stones can open blockages, rechannel and redirect energy flow. So I started with three crystals associated with health, abundance and love: quartz, citrine and rose quartz.

The purported healing powers of gemstones and crystals go back to ancient times. Societies throughout history—including Mesopotamia, Egypt, China and Greece—used crystals for their healing properties, according to author Karen Frazier in her book Crystals for Beginners.

crystals in H&G issue
ROCK SOLID Societies throughout history, including Mesopotamia, Egypt, China and Greece, have hailed crystals for their healing properties. Photo: Kristen McLaughlin

Quartz is the master healing stone, and perhaps one of the most powerful of the healing crystals. Its vibrations are so powerful that it is commonly used in watches, where it is highly valued for its consistent oscillation, said Gwen Thomas, owner of Avalon Visions since 2007.

Crystals are known for their healing frequencies, and are commonly used in LCD and audio equipment, Thomas says. Healers and other teachers have used crystals for sound healing journeys at Avalon.

“I always had an interest in stuff that was esoteric,” Thomas says. “My dad had tarot decks. I didn’t know what those were until I was in high school.” She attended law school, but didn’t enjoy it. “So I started my own business, and it was a good decision,” she says.

In addition to its vast crystal collection, Avalon sells books, jewelry and an eclectic mix of new and vintage clothing in Soquel Village, where free parking is a big perk. Psychic readings are available by appointment, along with light therapy and monthly workshops to make drums from animal skins and other natural supplies.

Avalon moved to Soquel from Capitola Village in August of 2017; it was formerly located next to Thai Basil restaurant.

Alchemy or apothecary can be directed either to yourself or your paramour to bring about intentions. Ancient Egyptians used white willow bark as an early form of aspirin, said Nicolina Ammerman, owner of Go Ask Alice.

“Carnelian is for passion, love and romance,” Ammerman explained. “In a stale relationship, it helps bring some of that passion back.”

From mocktails to infused oils, Go Ask Alice curates an extensive selection of herbal apothecary, along with tarot, mystical goods, crystals and jewelry sourced by local artisans. along with a dedicated aphrodisiac section for libido and sex drive.

For women, Ammerman recommends an herbal blend called Blue Lotus. “A lot of females would get it when they are going out but they don’t want to drink alcohol,” Ammerman said. “It’s got all these organic herbs that give you a euphoria, and it’s an aphrodisiac as well.” It also contains maca, which is effective for regulating hormones, she noted.

Another herbal blend for women, Aphrodi-tea, is made by local Santa Cruz company Root Remedies. This versatile blend can be mixed with honey or yogurt for a facemask, added to ice cream or a fruit smoothie, or steeped into a tea. It contains rose hips, hibiscus, amla berry and monk fruit for sweetness, and soothing oat milk powder to promote “love and intimacy.”

For the male libido, tribulus and horny goat weed are some of the ingredients to look for. A self-love ritual kit includes herbal infusions and pink and red spell candles in Moroccan rose. The shop can help you create your own love potion with a custom label.

Note that certain apothecary products can be used directly on the skin; others you drink in a tea or even smoke. Always check packaging for usage instructions.

Herbs and apothecary have always been a part of Ammerman’s life. Originally from the East Bay, she is self-taught in the business. “As a kid, I was mixing up potions and by age 11 or 12, I was already drying roses and lavender and making my own teas,” she said.

After a “lifetime of restaurant work,” Ammerman was sitting one day in the redwood forest, thinking about what she wanted to do next. “I ended up at the Happy High Herb Shop,” she said. She learned a lot about plants from the owners and also did a work-trade gig at Camp Joy Farms in Boulder Creek. Three years later, the Happy High owners sold her the business.

The jury is still out whether crystals are fact or fiction. Some will say it’s all a myth, a superstition on par with witchcraft, astrology and magic spells, but there are plenty of people in Santa Cruz who will tell you otherwise. They may even give you a first-hand account of using crystals to help navigate life situations from anxiety to addiction recovery to finding true love. “I don’t know for sure that it does anything, but I know a lot of people who think it does,” Thomas said.

Go Ask Alice, 1125 Pacific Ave., will host a medicinal foodie retreat, a full day of gourmet herbal wellness, yoga and mindful connection, on Sat., May 31. Call 831-469-HERB or visit goaskalicesantacruz.com.

Avalon Visions Center, 2815 Porter St., hosts a Psychic and Healing Arts Fair every second Sunday of the month at 11am. A Tarot Practice Group meets every second Thursday through Oct. 3, 5:45-7:45pm. Call 831-325-7321 or visit  avalonvisions.com.

Explore more stories from our 2025 Home & Garden issue.

Things to do in Santa Cruz

THURSDAY 4/24

LITERATURE

MALCOLM HARRIS

Malcolm Harris, the journalist and bestselling author of Palo Alto: A History of California, Capitalism, and the World, introduces his new book and guide for navigating the political chaos of the climate crisis: What’s Left: Three Paths Through the Planetary Crisis. Amid the seemingly paralyzing problem of climate change, Harris takes a practical approach and offers three solutions: progressive, socialist and revolutionary. He shows how they can be effective yet are not stand-alone solutions. Harris hopes to help people see how humanity can move toward a brighter future. SHELLY NOVO

INFO: 7pm, Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. Free. 423-0900.

AMERICANA

MARTY O’REILLY

Should the music played by Marty O’Reilly be called Soulful Americana or is Bluesy Folk more accurate? Whatever name is slapped on it, it slaps, with hard-strumming acoustic guitar and an emotive voice that can simmer intensely before dramatically escalating. O’Reilly lets it all out, giving audiences a roller coaster ride of emotions delivered by a performer who feels every word and every note with every fiber of his being every time he takes the stage. This week’s show at Crepe Place should be no exception. KEITH LOWELL JENSEN

INFO: 9pm, Crepe Place, 1134 Soquel Ave., Santa Cruz, $20. 429-6994.

FRIDAY 4/25

ROCK

JESÚS GUERRERO

For those not paying attention, the Blue Lagoon has been the place to see underground Chicano, Latin and Mexicano music. Not only do they have a monthly cumbia night (Firme Friday featuring hosts Mothership Connection and DJ XXIIIHRS), but the club also has been booking several acts from Mexico like Amantes Del Futuro. This week, they host romantic psych solo artist Jesús Guerrero, better known as a founding member of Tijuana-based act Ramona. Guerrero’s solo work takes the same dreamy musical approach as Ramona but is more personal, with songs about what it means to grapple with identity and the struggles of being a living, caring, loving human being in the harsh, uncaring world today. MAT WEIR

INFO: 8pm, Blue Lagoon, 923 Pacific Ave., Santa Cruz. $15. 423-7117.

JAZZ

Gary Bartz GTW Calendar
SAXMAN Gary Barth blows into Kuumbwa on Friday. PHOTO: Brian B+ Cross

GARY BARTZ

Listening to the 45 albums of Baltimore-born jazz saxophonist Gary Bartz should earn one a degree in jazz history. This living legend has rubbed elbows and traded licks with jazz greats like Miles Davis, Max Roach, Charles Mingus and Art Blakey. This year, he’s making his way toward his 85th birthday, having navigated a career that has seen him play a role in jazz’s evolution from swing into bebop and cool jazz. He was a particularly influential player in the jazz fusion movement that gained popularity in the ’60s and ’70s, and he managed to take home two Grammy awards along the way. KLJ

INFO: 7pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $52.50. 427-2227.

DANCE

SHADOWS ACROSS OUR EYES

Bodies are moving, active, restrained, fragile and confused. Michelle Kranicke’s Shadows Across Our Eyes is an aggressive, abstract dance performance that creates a visceral tension between the performers and the audience. Fragmented narratives are formed through stand-offs and active self-bindings. Performers are challenged to complete movements while their hands are bound or while they wear uncomfortable heels. Their restricted movements give space for the audience to inwardly create their own stories based on their personal experiences rather than assuming a story built solely by the dancers. Performances go until Sunday. ISABELLA MARIE SANGALINE

INFO: 7pm, Satori, 815 Almar Ave., Unit 9, Santa Cruz. Free, $20. 314-503-8441.

SATURDAY 4/26

METAL

EYEHATEGOD

Emerging from the New Orleans metal scene, EYEHATEGOD brings their corrosive, sludgy metal sound to the Catalyst. Drawing inspiration from Melvins, Black Flag and Black Sabbath, EHG mixes tortured vocals with heavy, bluesy riffs. Lead vocalist Mike IX Williams’s lyrics are honest confessions with some stream-of-consciousness thrown in the mix. With a presence dating back to 1988, EHG has mostly maintained the same lineup, but continues to pay tribute to their longtime drummer, Joey LaCaze, who died in 2013. Come ready to rage and mosh. SN

INFO: 2:30pm, Catalyst, 1101 Pacific Ave., Santa Cruz. $53. 713-5492.

SINGER-SONGWRITER

Sean Hayes GTW Calendar
SONGS OF LOVE AND LONGING Sean Hayes plays Saturday at Moe’s Alley. PHOTO: Paige Green

SEAN HAYES

Sean Hayes is a Petaluma-based singer-songwriter with a knack for playing soulful folk, blues and indie rock. His passionate, raspy voice is the perfect delivery for his heartfelt lyrics—often about love and longing. A New York native who grew up in North Carolina, Hayes relocated to the Bay Area, where he cultivated a following via up-close-and-personal performances and self-released records (ten to date; his latest is 2022’s Bibliography). Hayes’ recordings showcase his skillful rhythmic guitar playing and talent for spinning melodies. Even after all these years, his music continues to be warm, organic and personal. BILL KOPP

INFO: 8pm, Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25/adv, $30 door. 479-1854.

SUNDAY 4/27

ROCK

PRUSSIA

Every multimillion-dollar stadium headlining act started somewhere. That’s why it’s important to support the local scene as much as possible. Who knows? The band playing the free gig one day might become rock stars the next. And what better place to see a beginning band than at the friendly neighborhood record store? This week, Streetlight Records hosts up-and-coming prog-psych metal act Prussia. This power trio doesn’t have much of an online presence, but they already have the chops of heavy shredders. MW

INFO: 3pm, Streetlight Records, 939 Pacific Ave., Santa Cruz. Free. 421-9200. 

FUNK

JAY SI PROOF

From Portland, Oregon, funk band Jay Si Proof was launched in 2019 by singer-trombonist Jeff Chilton. The deep-groove band sports a sound that draws from funk, jazz and R&B, while also mixing in catchy melodies and lush harmonies. Alongside Chilton, the group features JD Erickson (sax and flute), Corey Heppner (guitar) and Lucas James (drums). Jay Si Proof’s incredible live show earned them the label “Earth jazz alchemists,” along with a growing fan base across the West Coast. The band plays two shows on Sunday. BK

INFO: 4 & 7pm, Woodhouse Brewing, 119 Madrone St., Santa Cruz. $5-$15. 313-9461.

Hungry for Hope

Sometimes it doesn’t take much to sneak a smile onto your face. In this case, it was a tiny Dixie cup filled with bright, fragrant and refreshing strawberry lemonade.

The surprise free lemonade appeared on the counter at teacup-sized Crepe Cones (in front of Bookshop Santa Cruz, 1520 Pacific Ave.), which I have been stalking because it stocks big-value, fresh-to-order crepes like its banana-nutella and grilled cheese, for just $6.

Hours are normalizing for owner-operator Matt McCabe, and here’s hoping he helps normalize good old-fashioned kindness.

The little splash of citrus and sweet went a long way on a warm day, and served 1. as a microcosm of the welcoming vibe and comforting fare in the kiosk spot; and 2. as a modest antidote against understandable cynicism given less-than-generous national leadership.

Meanwhile, California Attorney General Rob Bonta and Gov. Gavin Newsom just announced another antidote that’ll help keep Crepe Cones affordable: The Golden State won’t be unlawfully hit with tariff taxes without a fight, and my own lemonade toast with the Tom Scribner statue next to the crepe stand.

Sign up for Bonta’s newsletter at oag.ca.gov.

WHOLE NEW ANIMAL

The Salty Otter Sports Grill opens 4pm Thursday, April 24—and will be open 10am–midnight daily to start—which is huge news for downtown Santa Cruz, particularly later night eaters. The Otter will occupy the former CT City Lights and Firefly Tavern at 110 Walnut Ave., which locals still think of as 99 Bottles of Beer on the Wall. Rachael Carla Smith is among those locals, having both visited as a regular and a three-decade-long restaurant pro who dreamed of someday running the spot. She’s importing the formula that works at The Salty Seal on Cannery Row: lots of draft taps, sports on the screens, live music, billiards, and good pub food starring signature burgers and seafood chowder inspired by her native Bermuda.

ACID TESTAMENT

Award-winning docu-series Chef’s Table returns to Netflix April 28, with an installment titled “Legends,” and including Thomas Keller, José Andrés, Alice Waters and Jamie Oliver. Keller, who once told me, “You can judge a kitchen by its chicken,” dropped some other pearls across a back-in-the-day Q&A: 1. Me: “Hardest lesson—and maybe most important—you’ve learned in your career?” Keller: “Restraint.” 2. “Most Zen-like cooking practice for you?” “Filleting fish.” 3. “Three things you can’t live without in the kitchen?” “Seasoning: salt and acid. Knives. Spoons.” 4. “Out of the kitchen?” “Enough time; time is critical. Sleep. Exercise.” 5. “Last meal?” “Bibb lettuce salad, quesadilla, roast chicken, lemon tart and chocolate tart,” netflix.com.

WINNING PLAYS

Slice Project (300 Main St., Watsonville) has opened its second spot at The Hangar (45 Aviation Way, Suite 6, Watsonville), sliceprojectpizza.com…The Santa Cruz Warriors season has ended, but big brother Golden State journeys on, with SeaDub favorites like Gui Santos and Quentin Post getting big playoff minutes, and one lively place to follow along on game nights, complete with SCW raffle prizes hosted by their staff (!!) and $3 pints (!!!), is Pono Hawaiian Grill (120 Union St, Santa Cruz)…Resilience Grants for restaurants and catering companies in the Monterey Bay area are now possible thanks to the California Restaurant Foundation, and more than 230 independent restaurants will be selected for $5,000 grants (for equipment, technology, employee training, etc.) but the application period closes soon (April 26), craf.communityforce.com…UCSC Baskin School of Engineering’s Climate Week hits a high point with Sustainable Demo Day noon–2pm Thursday, April 24, in the Baskin Courtyard, engineering.ucsc.edu/events/climate-week…More Pacha Mama love: free and family-oriented Earth Day Watsonville happens in Watsonville Plaza noon–3pm Sunday, April 27, around the theme “Our Power, Our Planet,” watsonville.gov…Wendell Berry, take us home: “The Earth is what we all have in common.”

Special Sauce

Originally a house repurposed into a business and then sold to its namesake founder, the now iconic Jack’s Hamburgers holds down the meat-between-buns game in the heart of downtown. When Jack passed away, current owner Connie Hutchinson and her late husband, Scott, beat out multiple other bidders for the chance to carry on the legacy and have been doing so for 35 years and counting.

A former administrative assistant turned restauranteur, Connie considered selling when she became widowed in 2012, but says she ultimately decided to keep the restaurant to maintain its integrity and retain all the great employees. With indoor and outdoor seating available, she says her spot combines an old-school diner feel with a motto of “just really good fast food.” The burgers of course headline the menu, available in singles and doubles with cheese, bacon and avocado add-on options, and they also offer veggie and plant-based patties as well.

The very popular Jack’s special sauce zips their burgers together, described by Connie as a kind of seasoned relish-less Thousand Island dressing. Their fries are also a major hit, double-dipped to achieve textural contrast. Other favorites are classic grilled cheeses and hot dogs, tri-tip steak on a French roll, and turkey and salmon sandwiches. Beverage pairings include sodas and oversized-straw-equipped milkshakes in flavors like vanilla, chocolate, strawberry, salted caramel and Oreo.

How have you seen downtown evolve?

CONNIE HUTCHINSON: We bought the place right after the earthquake of 1989, and unfortunately, it took a long time for the town to rebuild. But when the Cinema 9 was built, we really felt an uptick in business. Since then, we’ve always done well, even through multiple recessions and the pandemic. Now, with all the local high school sports and Santa Cruz Warriors games, we are usually busy and have a great local following that we are very grateful for. And we’re not far from the beach, so we get tourists too.

What makes your business successful?

What we are all about at Jack’s is good food at a fair price made by really good employees who take pride and ownership in what they do. We have a great location and place high priority not only on food safety and cleanliness, but also on affordability, which our customers remark on and really appreciate.

202 Lincoln St., Santa Cruz, 831-423-4421; jacks-hamburgers.restaurants-world.com

The Evolution of Mak Nova

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ONE VOICE Mak Nova sees rap and hip hop as a vehicle to express her own originality in its purest form. Photo: Zsolt Fekete

Fun, sexy, sensual, deep, bright and refreshingly authentic—a Mak Nova show is something to experience. There isn’t a dull moment as she grabs her crotch and stares straight into the crowd, flipping her braids and turning her backside to the crowd to twerk while she sings, “Damn, I like your sexy mouth.”

“Nova is a powerhouse. She is driven and her confidence shows through in her performance and her music,” says local singer and producer Andy Pankakes, who was a roadie for Mak Nova at the Joshua Tree Music Festival in May 2024. “She’s a very energetic performer but she’s also happy and sensitive as well. She has a vulnerability, you know, that she’s brave enough to share.”

Mak Nova is bringing all this energy to a big venue this Saturday, playing at UCSC’s Quarry Amphitheater, which can accommodate a crowd of 2,600. Even bigger is the headlining act: Parliament Funkadelic, featuring George Clinton—a truly original musician who broke ground with his P-funk sound, mixing classic funk rhythms with elements of jazz, rock, pop, classical and gospel,.

Nova came into 2025 fully loaded with creative ideas and is getting ready to drop her debut full-length. Her quick rise to the music scene didn’t happen without putting in the work.

“I’ve been fully consumed by the new album,” she says. “If I’m not making music, I’m watching a music documentary. I’m so one-track. I hope that when I come up for air, I’ll have other pastimes and hobbies.”

Nova was a late bloomer in the music scene. She was born in LA but grew up in Sonoma. At first, Nova’s focus was on theatre and dance. Upon landing in Santa Cruz, she auditioned and joined the Evocation Sacred Art Troupe. In her first performance, Nova says she “had the most lucid experience of her life…a part of me had died on stage and I had to figure out how to re-emerge as a new being. I came out of it, like, who I am now, strong and content and more tuned into myself.”

It wasn’t until 2019 that she started evolving from playing songs on guitar to producing tracks on keyboard with Logic, a widely used production software. Her first performance as a rapper was at the Kuumbwa Jazz Center in an all-women showcase featuring Gina René and Tammi Brown, a local jazz and soul singer who passed away this month. It was at a dance class that she met Congo-born guitarist and singer Elie Mabanza. He invited her to play with him and some other local musicians.

“We hit it off, and he kept inviting me to jam,” Nova says. Mabanza helped Nova produce and form her own sound, bringing musicians together for her live band. She didn’t have any recordings out at the time, and having a band was a way to get her music heard. First she played with the Kings, then the Homies.

“It’s easy to work with her,” Mabanza says. “We can change things easily when it’s not working. It takes time to be on that level. Because a lot of people are attached to things they have done.”

As a female rapper and producer, Nova is inspired by the simplicity of rap and hip hop as a vehicle to express her own originality in its purest form—a beat and a voice—and adding instrumental embellishments after the essential story is told.

“Our core being is as storytellers. And we’re still doing that. I love that I get to be a part of it. It feels important for me to honor the roots of the genre. That’s been my big intention,” Nova explains. “For me at the core, that’s being truthful—and poetically telling a damn good story.”

Getting into the creation of the new album, Nova realized she didn’t have a clear vision. “I had the mentality of a band. I had to make the transition in real time. I can’t say the chorus like ten times in a rap song, like I could with a jam band,” she says. “The beats are first now, and it used to be the band was first. It’s basically setting a foundation for myself.”

On the new album, Mak Nova steps up her game, doing all the backup vocals. “Recording tracks for my album was intense work,” she says.

Nova wants people to hear her songs and unflinchingly classify her as “a rapper doing hip hop.” Her songs should be able to follow a Kendrick Lamar track or to be the transition to, say, a Doja Cat cut, she says. Part of redefining her sound has been redefining her band and its place in her music. “I lost my nine-piece band to get to where I am today. There’s only Elie from the old band. He really is the core of my sound. It’s like its own universe. It’s an alternative reality,” Nova explains.

At the April 26 show, Mak Nova will debut music from the upcoming 10-track album, due for release later this year. The band includes Mabanza on guitar, Dan Robbins on bass, Frankie Matson on backup vocals, Rowan Graves on drums and guest artist Robert Jackson on keys.

Bringing in new collaborators in addition to Mabanza and videographer/photographer/producer Zsolt Fekete was essential. Nova sought out Oakland producer Stephen Iwebema and San Jose–based sound engineer Deegan Adams—who is no lightweight, having worked with the likes of E-40, Snoop Dogg, Too Short and Chamillionaire.

When I ask her about where she gets inspiration musically, she says, “rap music is not what I listen to. I like R&B and neo soul. I listen exclusively to Cleo Sol. Like all day, every day—she makes me religious,” she proclaims. “I have also been into Megan Thee Stallion; she’s like a universal alter ego,” Nova says.

Another central figure and mentor has been Genoa Brown, who previously worked with Nova, doing backing vocals on recorded songs and live shows. Brown is a local music coach and co-owner and creative director at Everyone’s Music School in Santa Cruz. “I went to her when I started the album…I knew it was going to be a lot of work. It was like a spiritual journey…so much personal growth. She gave me tools that I could work with for the rest of my life,” Nova says.

Brown believed Nova should do her own singing: “She looked right into my soul and told me what I needed to hear that I wasn’t ready to accept. Now I can go anywhere in the world and record my backing vocals with confidence.” 

Labels are not for her, says Nova. “I am a spiritual being having a human experience. My spirit is not a man or woman, it’s a being and it’s limitless. I support my queer community and people being whoever the fuck they want to be. Love who you want. Wear what you want. And hopefully society can grow up and find a compassionate way to integrate the full spectrum of human expression into society,” Nova says.

Mak Nova will open for Parliament Funkadelic with George Clinton on April 26 at the Quarry Amphitheater on the UCSC campus. Doors open at 6pm with DJ Nola Cruz; the show begins at 7pm. Tickets $59–$118.21. To book Mak Nova, email mu***@gm***.com.

Myth-Begotten

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“If you’re a theater person, you know what Hadestown is,” says Kendra Kannegaard, theatrical performance and production guru at Scotts Valley High School. “It’s unlike any other show you’ve ever seen.” And Kannegaard hopes that this familiarity will bring people out to see the SVHS theater troupe’s production of Anaïs Mitchell’s play.

The cast of thespians and vocalists at Scotts Valley High debuted their production of Hadestown: Teen Edition last Friday, with performances continuing through May 3.

Mitchell’s play weaves together two mythic tales—Orpheus and Eurydice, and King Hades and his wife Persephone—that involve journeying to the underworld and back. According to the school press release, Hadestown pit “industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go.”

The rights to Mitchell’s new Hadestown: Teen Edition were just released in April of 2024, Kannegaard says. “Within 20 minutes of learning about its availability, we applied and were approved. I’d been waiting for years to be able to do this show. I had heard it in college and then saw it on Broadway, and I just knew that if given the chance, my kids were going to do this show.”

Hadestown photo 2 A&E
LONG JOURNEY V Nivelle, a senior at Scotts Valley High School, plays Orpheus in ‘Hadestown: Teen Edition.’ PHOTO: Trinity Rose

Part of the poignancy of performing Hadestown this year is due to the student who advocated for its place in the 2024-25 seasonal lineup for the SVHS Theater Department. Milo Anima was a much beloved member of the department, and he alerted Kannegaard about the release of the musical, designed for high school students to perform.

Anima died in June 2024. As they mourn their friend and colleague, the entire theater department knows that this show belongs to him.

“We’re the first in the area to perform this musical, and it’s all thanks to Milo,” Kannegaard says.

Atlas Hinkle, a senior at SVHS, is the stage manager and co-student director.

“It’s definitely hard, because this show holds such an important place in our hearts for a variety of reasons; the main reason we decided to do this show is because of Milo—it was his favorite show, and I remember that when we found out the rights came out, we were texting back and forth about it. I’m happy that we’re doing it for him,” says Hinkle, who also mused about this being their last show with the high school. “I’ve done stage management since sophomore year, and I’ve learned something new from each show. This one has a lot more technical aspects to it—we have a turntable and an elevator—so it’s very different from a genre point of view.”

Senior V Nivelle plays Orpheus and is also a co-student director, student producer and house manager.

Hadestown has been rooted in our department for a while now. When I was a freshman, we went on a field trip to see it in San Francisco and I think everyone just fell in love with it right then and there,” Nivelle says. “Orpheus is such a great character; the sets and the scenes and the music were all so powerful, but the rights weren’t out yet. Now it’s happening, and I think everyone is so incredibly happy to be part of this show, even though it’s something different.”

Junior Jaycee Barber plays Persephone and is also the show’s choreographer.

“I’m an actress first. Being on stage is my favorite thing to do, but choreography is really close to my heart. I’ve been doing dance since I was 3, and it’s really great to bring that experience to this stage,” Barber says.

Hadestown: Teen Edition runs through May 3 in the SVHS Student Union. Shows are April 24–26 and May 2–3 at 7pm, plus 2pm matinees on April 27 and May 3. Two casts will split the performances. Tickets, $18–$20, can be purchased at tinyurl.com/mvf4wk28.

The Soul of Wit

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If he were alive today, William Shakespeare would be turning 462 years old on April 24. To celebrate four and a half centuries of Shakespeare, the Santa Cruz Actors’ Theatre is putting on a Shakespeare gala during the bard’s birthday week.

Directed by San Francisco State University professor emeritus and local Shakespeare scholar Bill Peters, this fundraising event aims to take audiences on a journey through select songs, scenes and poems from Shakespeare’s immense 38-play, 152-sonnet repertoire.

“Somebody once wrote a poem saying that a poem should always be better than anything that can be said about it, and I think that’s also true of an act of theater,” Peters says.

Santa Cruz County is home to a rich and diverse theater community, from Mountain Community Theater in Ben Lomond, Shakespeare Santa Cruz in DeLaveaga Park, Cabrillo Stage in Aptos, Actors’ Theatre in the heart of downtown, and a dozen others. Peters’ goal in casting the gala was to draw from this community, bringing an ensemble of 30-plus talented actors together from all corners of Santa Cruz.

“I’m working with friends and folks I didn’t know before the show but I had known their work and admired it. Like most organizations, there’s a struggle for funds and I thought this would be a great way of celebrating Shakespeare’s birthday,” Peters says.

Peters discovered his love for the Bard in drama school at Toronto and Yale, feeling at home with Shakespeare’s mastery of the English language. Yearning to share that love, he would spend time as a working actor before taking a teaching job at San Francisco State University. Since retiring he has continued to teach workshops and direct, keeping the flame of Shakespeare’s work lit.

Shakespeare Gala photo A&E
ACTORS’ THEATRE GALA David Leach and Tom Boyle will enact the murderers scene from Shakespeare’s ‘Richard III.’ Photo: Christopher Peak

“When I was studying at drama school there was a curious order in which teachers let the actors confront world literature. They started with naturalistic drama, increasingly moving back in time before arriving at Shakespeare, and I always thought that was the wrong way to do it. Because Shakespeare is such a master of the theater, you learn everything there is to know about the English language and its ability to take us anywhere in our imaginations. I always felt at home with that,” Peters says.

In a time when the pendulum of our society constantly swings toward hate over love, jealousy over acceptance, returning to the timeless work of Shakespeare—a man especially concerned with the power of love—is something we all need.

“This gala is more than a showcase, It is a journey through this playwright’s sensibility from birth to death, the opening moment we’re waiting for him to be born and one of the closing moments we’re waiting for him to be buried, journeying through the things he was most concerned with as an artist. He used the word love over 2,000 times in his plays and poems, and only used the word hate under 200 times in all of his writing, so that shows you what his obsession was,” Peters says.

What better way to celebrate the Bard’s birthday than an evening full of songs, scenes and sonnets—all while supporting live theater?

“The Shakespeare Gala” runs April 23–25 at 7pm plus a pay-what-you-will show April 25 at 9pm. Tickets are $50; all proceeds will go toward Santa Cruz Actors’ Theatre. santacruzactorstheatre.org

Circle Back

1

Moving my family to Santa Cruz in 1978 was the best decision I ever made. It saved my life from the suburban nightmare of the South Bay. And the lives of my two daughters, ages 8 and 3, who were afforded the opportunity to grow up here. They had lost their mother in a car accident two years prior.

It was a different town then, smaller, more provincial and family-oriented with a conservative pedigree. It was a backwater community based on its location on the far side of the mountains from El Camino Real, the main north-south State Highway 101, which delayed for decades any serious development and exploitation.

I arrived in a white 1967 VW bus and found a ramshackle cottage for rent with ivy tangling through the corner seams below a stand of redwoods located on Walk Circle in the inner lower westside of town. I say “inner” due to the insulation of the “Circles” neighborhood. To this day, you will not see tourists or unfamiliar locals attempting to negotiate the confounding circular streets here. We had our own tiny markets and the smallest library in the world, with fireplace (which still exists today).

I could hardly believe my good fortune, sitting on my front porch at night listening to the seals barking while drawing herbal sustenance from a slow-burning doobie. It was dark enough to see the Milky Way in the southern sky. As far as trouble or theft in the hood, the only item you had to hide was your stash.

Originally developed in the early 20th century as a summer religious retreat, with concentric circles named after church elders surrounding a church in the middle, the Santa Cruz Circles, during the ’60s and ’70s, were pretty much forgotten as a low-rent area to avoid. Our curve on the Circle was inhabited by working class folks—roofer, cable installer, sheet metal fabricator, florist, real estate appraiser—as well as surfers, hippies, students and members of the Friendly Church of Christ and Progressive Baptist Church.

The latter inhabitants were Black folks mostly related to soldiers who had been stationed at Fort Ord during WWII, many originally from Louisiana. These folks consisted of slightly more than 1% of the Santa Cruz population. Their first congregation had been “nudged” from the Eastside by a contingent of concerned white citizens. In the Circles, Mother Brown’s monthly barbecue feast was a favorite treat for neighbors and included her delicious sweet potato pie.

A community organizing group called Westside Neighbors was formed by Mike Rotkin, a lecturer at the 14-year-old University of California campus on the redwood-studded hills above town. The conservative backwater teetered on the precipice of a new, self-described “progressive-feminist” direction. Rotkin would in 1981 become the town’s first progressive mayor.

art by Bryna Samson
LOOKING BACK Artwork by the author’s daughter evokes the sense of community shared by the residents of the Circles. ILLUSTRATION: Bryna Samson

My daughters, Molly and Vanessa, attended Natural Bridges Elementary School, Mission Hill Junior High and Santa Cruz High School, all within walking or bicycle-riding distance from home. Neither was interested in learning to drive an automobile.

I lived on a shoestring in a town I could not afford to live in if I arrived today. My rent on Walk Circle was $400 a month. I had a back unit that I sub-rented for $100 a month. My landlords, Kurt and Kit Haveman, resourceful scavenger/collector artists, exemplified the counterculture spirit of the times, a period when your plumber might hold a PhD in philosophy.

I found work as editor at Santa Cruz Publishing, owned by publisher Lee May. He and I had both worked at the San Jose Mercury News. Lee provided employment for a crew of talented but troubled characters who needed a sense of direction. He was our father figure. We published several special-interest periodicals. Our ensemble might rightly be found in a Netflix series under the title, The Misbehavin: featuring a cast of addicts, alcoholics and geniuses. Our publications were successful based on the sums (figures not available) they fetched when sold to wannabe publishers who discovered that publishing is not as easy as it looks.

An attractive woman named Barbara lived across the street in a small 60-year-old cottage that she painted blue and dressed with colorful flowers. She and Vanessa became friends and one evening while the sun cast an orangish-yellow hue above our arc of the circle, I asked if she’d like to join me and the girls on a date at the Natural Bridges School Carnival.

She said, “Yes.” We all strolled together to the school where we did the cake walk and won a beautiful confection. Back at my cottage that night we sat at a table and shared the spoils, each receiving a slice of cake with dark chocolate frosting. “Would you like a glass of wine?” I asked Barbara.

She accepted with a comely smile and remarked: “I’ve never had cake and wine together.” Neither had I.

That reference—“cake and wine”—would live on over the years, following our marriage and the birth of our third daughter, Bryna, who was born the day before our annual Walk Circle Fourth of July Block Party, 1982. She also attended the local public school trifecta—Natural Bridges, Mission Hill and Santa Cruz High.

Forty-three years later, Bryna resides within the Hawaiian chain of islands earning a living as an artist with two children, Viva and Mystiko. She recently sold a piece to a Santa Cruz resident whose mailing address is the very same as where Bryna was conceived. Coincidence? Perhaps the cosmic Circle of energy?

To accommodate our growing family, that year we moved into a larger house around the corner on Plateau Avenue. Following the destructive 1989 Loma Prieta Earthquake, we hop-scotched into a small, post-WWII bungalow. By that time Molly and Vanessa had moved out for college and independence. We scored a post-earthquake deal on our house: $300,000 ($760,000 in 2025 dollars) a half block from the water.

Nearly 50 years since I arrived on Walk Circle, Santa Cruz has entered its third or fourth iteration. Housing costs have soared. The new house next door sold for $3.5 million. A cottage in the Circles runs about $1 million. Rents are in the $4,000-and-above range. University students from around the world swarm the sidewalks. The student population has exploded with future plans for more growth. Downtown has morphed into “canyon city,” with high rises popping up like wildflowers in spring. Many houses in our neighborhood are second homes, sitting fallow most of the year.

Yet the greater landscape still exudes the Santa Cruz of yore—beautiful Monterey Bay and much of its sea life, gorgeous mountains beyond town. Newcomers of all stripes express wonder when they arrive, inhale the fresh salty air and hear cries of seagulls in the clear cerulean sky. Take a trip along East Cliff or West Cliff drives, you’re in for a visual treat. But beware of getting caught in the Circles. You may never get out.

Which is a good thing.

Every local has a story to share. If you’d like to tell yours, email br**@we*****.com.

The Editor’s Desk

Santa Cruz California editor of good times news media print and web
Brad Kava | Good Times Editor

You don’t have to work too hard to keep Santa Cruz weird. It’s always been weird and it always will be, we hope, despite the homogenized housing towers blanketing the downtown, right?

We are the Northern California capital of kitsch, but in a good way. This is a community that boycotted efforts to build a chain bookstore downtown and has favored independent stores over chains. (Jacob Bricca made a great documentary in 2006 about the bookstore battle, Indies Under Fire: The Battle for the American Bookstore.)

Despite the encroachment of the Internet and big box stores, we still have plenty of cool, retro and weird things to buy. John Koenig explores some of them in our Home and Garden section enclosed within.

The same section highlights the new endeavor by the former guitarist of the celebrated all-women band Pele Juju…she now builds environmentally conscious homes.

The first time we saw singer/rapper Mak Nova at a winery we thought, why isn’t she bigger? Well, she’s stepping onto a very big stage this week as the opener for funkster George Clinton at the UCSC Quarry, one of the best open theaters anywhere. She covers her bases in Lucille Tepperman’s inside story.

Crepe Cones may offer the best food deal in town, with fresh-to-order crepes like its banana-nutella and grilled cheese, for just $6. It’s right outside Bookshop Santa Cruz. Read about it in Mark C. Anderson’s Dining column.

We’re starting a new feature paying homage to the history of our great neighborhoods. This week, Kevin Samson takes a look at the Circles and what’s become of them.

Mushrooms are having a magic moment again. You’d better read Elizabeth Borelli’s Wellness column to catch the latest.

My horoscope told me to stay in bed with a pillow over my head or I’d be deported to El Salvador. Oops. That was somewhere else. Rob Brezsny gets the future right and poetic in our Astrology feature.

What’s your horoscope?

Thanks for reading.

Brad Kava | Editor

PHOTO CONTEST

SLO LIFE This snail is moving in on the Agapantha. Photograph by Marni Moore

GOOD IDEA

Cabrillo Gallery presents Student Exhibition 2025, showcasing student talent. This exhibition offers a wide sampling of exemplary artwork, including painting, drawing, printmaking, ceramics, woodworking, sculpture, small-scale metals/jewelry, digital fabrication, typography, graphic design, mixed media, and traditional, alternative process and digital photography. It runs April 28 to May 23. There’s a reception and art sale May 3, 3–5pm.

GOOD WORK

Finn Maxwell was selected as the 2025–2026 Santa Cruz County Youth Poet Laureate. Maxwell was chosen from the 2025–26 cohort of finalists for Santa Cruz County Youth Poet Laureate, which included Sylvi Kayser of Aptos High School, Mason Leopold of San Lorenzo Valley High School, Noemi Romero of Pajaro Valley High School and Xander Shulman of Santa Cruz High School.

Maxwell is a junior at San Lorenzo Valley High School. He writes short stories and poems, often inspired by his Boulder Creek home. His work has been recognized by the Scholastic Writing Awards and the Iowa Young Writers Studio and is present in The Malu Zine, Blue Marble Review and The Incandescent Review.

QUOTE OF THE WEEK

“It’s a good thing Jesus lives in our hearts. If he lived in America, he’d be in a prison camp in El Salvador by now.” —Feminist News

Dirty Deeds

Gardening is an art. And like any form of creative expression, the beginning can be a bit of a gamble. At the start of a garden project, one doesn’t know if they’ll end up with the green thumb equivalent of the Mona Lisa or perhaps more of a preschool finger painting.

Here in California, the temperate climate and stunning landscapes give gardeners an edge. But even in these ideal conditions, gardening can feel like an ongoing Q&A session—the gardener asks a million and one questions, and the garden remains decidedly silent.

The garden’s answers don’t come in words—or in any language, for that matter—but in the subtle cues of wilted leaves, sudden blooms or a plant that seems to thrive against all odds. And the challenge lies in learning to listen and decipher what the garden needs.

So, how does one learn to speak the language of the flowers and turn those gardening misses into hits and wins?

The first and hardest lesson is accepting that gardening is not about crafting a perfect Eden so much as taking a bite and making a big ol’ possibly painful and definitely imperfect leap of faith. It hurts to say, but perfection simply doesn’t exist … especially when it comes to nature, which, by definition, refuses to be entirely tamed. What’s beautiful is not necessarily flawless; in fact, perfection in gardening often leads to frustration rather than fulfillment.

Instead of trying to replicate a pristine, magazine-ready garden, one should focus instead on creating something that satisfies four personal metrics: creativity, utility, sustainability and sheer whimsy.

Whether one’s dream garden includes a peaceful water feature, a practical herb garden or a vibrant collection of pollinator-friendly flowers, gardening is a space where creativity and practicality can coexist. It’s a place where one can indulge in both the beauty of nature and the usefulness of plants that serve everyday needs for tasty meals and even handy, holistic medicines.

When it comes to space, the size of the garden matters less than how one chooses to use it. There’s always room to get creative.

In fact, smaller spaces often foster greater ingenuity, inspiring gardeners to think vertically, use hanging pots or even experiment with hydroponic setups. The secret to any garden, big or small, is first and foremost the size of one’s imagination.

Imagine, for instance, a garden that isn’t just for meeting the enjoyment and needs of people, but of the local wildlife, too. With only a few additions, any garden can turn into a sanctuary for all sorts of critters, offering a little slice of refuge for birds, bees and bugs. By adding a birdbath or planting pollinator-friendly flowers, a garden can help support the ecosystem in ways that go beyond simple aesthetics.

A well-placed water feature, for instance, can serve as both a tranquil spot for the gardener and a valuable resource for wildlife. Pollinators will flock to the blooms, while birds can drink and bathe alongside the bees in a bath. Even something as small as leaving a tiny patch of garden untended, allowing plants to grow wild, can create a haven for insects and a thriving microhabitat within the larger garden.

Gardening also offers a chance to collaborate with nature, not just decorate it. For those ready to take it a step further, animals can be brought into the fold. Adding chickens or ducks to the garden can provide more than just entertainment; they can also help keep things in balance.

Chickens and ducks, for example, are natural pest controllers—these amusing fowl are great at feasting on snails, caterpillars and other garden pests. They also contribute to the compost pile by breaking down food scraps into nutrient-rich organic matter.

Plus, poultry like chickens and ducks offer the bonus of fresh eggs, adding another layer of reward to the gardening experience. While turning a garden into a small farm isn’t necessary, a few carefully chosen animals can make the space work harder for both the gardener and the environment.

Speaking of gardening smarter instead of harder, those who want to make the most of their space should pay attention to the land’s forage. Central California is abundant with wild edibles, from wood blewit mushrooms to miner’s lettuce, fennel, yerba buena, sourgrass and tons of others. These naturally occurring greens offer a unique way to supplement a home garden.

Rather than purchasing specialty herbs or vegetables, foragers can harvest plants that grow naturally in the area, reducing reliance on cultivated crops. Not only does foraging add an extra layer of sustainability to gardening, but it also fosters a deeper connection to the land, as it encourages gardeners to work with the natural landscape of California’s Central Coast rather than against it.

After all, gardening in California brings its own set of challenges … water conservation, for instance. While the Bay Area is greener than many other regions, drought and water conservation remain a concern. Fortunately, it’s entirely possible to create a beautiful, thriving garden while being mindful of water usage.

Drought-tolerant plants, such as succulents and native grasses, can flourish even in dry conditions, reducing the need for constant watering. Moreover, replacing water-guzzling lawns with rock gardens or low-water plantings is a simple yet effective way to reduce the environmental impact of gardening. A sustainable garden doesn’t have to lack beauty—in fact, a creative sustainability-inspired garden can bring a uniquely stunning edge to a space while saving on precious resources.

Speaking of challenges: The greatest challenge a gardener may face is the dreaded invasive broom. This fast-growing, aggressive plant can quickly take over a garden or open landscape, crowding out native species and disrupting the local ecosystem. The best way to handle broom is to dig it up by the roots. Although it’s a tedious task, removing broom is crucial to maintaining a healthy garden that supports local biodiversity.

At the heart of all this is the idea that gardening is about balance and finding harmony between creativity and practicality, between working with nature and maintaining a space that serves personal needs. Gardening doesn’t have to be complicated or stressful; it’s a rewarding journey that can yield not just a thriving garden, but a deeper connection to the environment.

And the best gardens are the ones that evolve imperfectly over time, just like the gardeners who create them. So, while perfection may remain elusive, satisfaction is found in the journey—and the garden will always reflect the care and creativity invested in it.

Whether a green thumb creates a stunning masterpiece of a garden or turns this spring into an exercise in patience, the act of gardening offers something far more valuable than fresh produce: It offers a chance to try, fail, learn and grow along the way. The process itself is a journey, filled with equal parts success and failure (and no small amount of self-deprecating laughter and a little bit of dirt too).

Explore more stories from our 2025 Home & Garden issue.

Spring Cleansing

H&G photo Nicolina Ammerman
Societies throughout history, including Mesopotamia, Egypt, China and Greece used crystals for their healing properties

Things to do in Santa Cruz

Marty OReilly GTW calendar
Should the music played by Marty O’Reilly be called Soulful Americana or Bluesy Folk? Whatever name is slapped on it, it slaps. Thursday at Crepe Place.

Hungry for Hope

crepe cone dining review
I have been stalking Crepe Cones because it stocks big-value, fresh-to-order crepes like its banana-nutella and grilled cheese, for just $6.

Special Sauce

foodie file jacks's burger and fries
Jack’s holds down the meat-between-buns game in the heart of downtown. Other favorites are tri-tip on a French roll, and turkey and salmon sandwiches.

The Evolution of Mak Nova

A&E Mak Nova photo
Fun, sexy, sensual, deep, bright and refreshingly authentic—a Mak Nova show is something to experience. April 26 at Quarry Amphitheater.

Myth-Begotten

Cast of Hadestown A&E image
When I was a freshman, we went on a field trip to see Hadestown in San Francisco and I think everyone just fell in love with it right then and there.

The Soul of Wit

Shakespeare gala photo Bianca Chesnut
To celebrate four and a half centuries of Shakespeare, the Santa Cruz Actors’ Theatre is putting on a Shakespeare gala during the bard’s birthday week.

Circle Back

Cover story image Garfield Park Christian Church
Nearly 50 years since I arrived on Walk Circle, Santa Cruz has entered its third or fourth iteration. Housing costs have soared. The new house next door sold for $3.5 million.

The Editor’s Desk

H&G dolls
We are the Northern California capital of kitsch, but in a good way...we still have plenty of cool, retro and weird things to buy.

Dirty Deeds

Gardening is an art. And like any form of creative expression, the beginning can be a bit of a gamble. At the start of a garden project, one doesn’t know if they’ll end up with the green thumb equivalent of the Mona Lisa or perhaps more of a preschool finger painting.
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