Reading to Dogs and Other Local Ways to Help the Animals

In the center of a room in the Santa Cruz County Animal Shelter, 11-year-old Scarlett Rider is reading The Famous Nini: A Mostly True Story of How a Plain White Cat Became a Star to four kittens.

“They need inspiration to become great cats,” she explains. Partway through the book, she yells, “I want to adopt one, mom!”

Her mother, Katie Rider, is sitting at a table not far behind her. “I want to bring one home myself,” she whispers, as if she doesn’t want her daughter to know she’s been tempted. So far, her will has held up. She brought her family on a whim Saturday evening after reading about the “Bedtime Stories for Shelter Pets” event at the organization’s Live Oak shelter. But she’s impressed.

“They seem to be listening to her,” she says.

In another room, young couple Holly and Jason Zappala sit on the floor in front of a row of kennels against the wall. Their 9-month-old daughter Oakley is on Holly’s lap in her pajamas (as many of the kids in attendance are) as Holly reads Can I Be Your Dog? to Olive, a black Schnauzer who watches them intently. Oakley reciprocates by reaching a tiny hand out toward Olive’s kennel.

“She loves dogs,” says Holly. “We have three rescue dogs at home, and 11 rescue chickens.”

The Zappalas are there to support the shelter, and they’re happy to have something they can bring their daughter to. “We just want to get her involved in animal rescue at an early age,” says Holly. “I can’t wait ’til she’s old enough to start going to some of their summer camps.”

This is exactly the kind of community the shelter organization seeks to build with these “bedtime stories” events, which continue every Saturday from 5:45 to 6:15pm through Dec. 28. They were conceived by the Animal Shelter’s Program and Development Director Erika Anderson, who was looking for a way to bring new donors—and especially new young donors—to the group (through the Santa Cruz County Animal Shelter Foundation) as it participates in Santa Cruz Gives this year. Each family that comes in to read gets a bookmark declaring, “I Read to a Shelter Pet at the Santa Cruz County Animal Shelter,” plus a postcard explaining how to donate to the group through Santa Cruz Gives. The card also explains how the funds raised through Santa Cruz Gives will go to support the group’s “Animobile,” which will help them transport animals from remote locations around the county to and from the shelter for spay- and- neuter services, and expand their free “Healthy Pets for All” pop-up clinics.

“I was just at one on Wednesday in Watsonville,” says Anderson. “We served 52 pets and signed up 19 free spay- and- neuter appointments at our shelter. We set up in the Veterans Memorial Hall with a volunteer vet team—free exams, vaccinations, flea-and-tick medication. We had pet beds donated by PetSmart. We had a bunch of dog and cat food donated by PetPals. We were giving it all away for free.”

Even Anderson seems a little shocked at the effect the bedtime stories are having at the shelter, especially around the dog kennels. “People are crying,” she says of the volunteers who are guiding families through the event. “For a lot of the staff, it’s because of how calm the dogs are right now.”

CUDDLING FOR A CAUSE

The Santa Cruz County SPCA is another animal welfare group trying something innovative to encourage donations through Santa Cruz Gives this holiday season. The group is hosting a series of “pop-up cuddle booths” around the county, and just did their first one on Saturday at Home/Work (future booths will be announced 48 hours in advance on the Santa Cruz County SPCA Facebook page).

The unique human-animal love connection is an important part of the project Santa Cruz Gives donors can fund for the group. Their “Support for Seniors” program has two main components. First, it provides veterinary care to the animal companions of low-income seniors.

“A lot of times, we’re helping them stay with their pet,” says Alison “Ali” Talley, the local SCCSPCA’s executive director. “We’re preventing their animals from being surrendered to a shelter situation.”

The second element of “Support for Seniors” connects senior people with senior pets, covering the costs of adoption, vaccinations, spay/neuter and microchipping.

Mandi Hart, the group’s shelter manager, says they’ve seen adopted animals do as much for their senior caretakers as the other way around. “The pet can end up being the reason the person gets up in the morning,” says Hart. “It’s the lifeline.”

The senior program was originally established by a gift from renowned botanist and UCSC pProfessor eEmerita Dr. Jean Langenheim, who also contributed a $1,500 challenge gift to the group’s Santa Cruz Gives campaign this year.

WHO LEADS WHO

The staff and volunteers at Unchained know a lot about what humans and animals can do for each other. In their ongoing program, Canines Teaching Compassion, young people—many of whom come from the juvenile hall system—are matched with a shelter dog that they are taught how to train for eight weeks. Santa Cruz Gives donations to the group will help fund a new “Dogs in Residence” program they hope to establish next year, which will allow teams of youth to provide foster care and training for rescue dogs.

Melissa Wolf, the founder and president of Unchained, says that in using positive learning techniques to train dogs that may not have experienced such a caring dynamic before, the young people in the program receive the same kind of unconditional love. “The dogs are immediately accepting of the kids,” says Wolf. “They don’t judge them for their background or previous behavior. The dogs come from perhaps a life of neglect or abuse, and that’s the case with some of our kids, too. They see themselves in their dog.”

Teaching and spreading empathy has never been more important in the animal-welfare community, she says.

“I think what animal rescue is seeing right now—and this is what we were born out of—is if you’re going to change the plight of animals, you have to start with people,” says King.

“Research has shown a direct tie-in,” says Anderson. “How we treat animals reflects how we treat people.”

Donate to all of these animal-welfare groups at santacruzgives.org.

NUZ: We Found A Guy Who’s Actually Helping the Homeless

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Well, that didn’t last long.

The Ross Survival Camp, also known as Camp Phoenix, closed this past Friday, just a few days after it had opened. Given that the city isn’t doing much on homelessness right now, it would not have seemed crazy for Santa Cruz to opt to simply wait and see if the camp could be better run on its second go-round. But, nope. Everyone’s been kicked out, and it’s now going to be that much more likely that you’ll find someone camping in your front lawn, instead of on an empty patch of grass between a department store and a freeway.

FLOOD OF SUPPORT

Friday morning actually looked like it was going be a tough one for DIY homeless efforts.

The same morning that the Ross Camp ended, there was a small flood just on the other side of the pedestrian bridge. A pipe burst at the Day and Night Storage building, as activist Brent Adams announced on Facebook. Adams—who founded the program, as well as the Warming Center shelter—worked with volunteer Nancy Krusoe to clear out bins that house homeless people’s belongings. Adams wrote that just one user out of 250 had their belongings damaged.

It’s worth noting that, because of political infighting, strategic missteps and bureaucratic backlog, the city has not implemented many of the widely popular recommendations that the Homelessness Coordinating Committee brought forward two and a half years ago. One of the suggestions was for a storage program that would give the homeless community a place to put their things. And if it weren’t for Adams’ shoestring operation, Santa Cruz wouldn’t have that, either.

The Warming Center Program is throwing a fundraiser dinner on Friday, Nov. 22, at the 418 Project. Tickets are $45. For more information, visit facebook.com/warmingcenter, email wa******************@gm***.com, or call 588-9892.

WHEEL SEE

With the Street Smarts traffic-safety education campaign rolling out around Santa Cruz County, the California Office of Traffic Safety has awarded three new grants locally. All three grants, totaling $398,000, are going to the county of Santa Cruz—one for bicycle and pedestrian safety, one for impaired driving, and another for child passenger safety. The bike grants will fund classroom presentations on safety, walking field trips and bicycle rodeos in schools, plus distributions of bicycle helmets and lights to low-income community members.

That all seems worthwhile. Nuz certainly hopes the next generation of cyclists and motorists is better than the current ones.

Paris Jackson’s Surprise Visit to Santa Cruz

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A soothing, blue light washed over the Ugly Mug Coffeehouse in Soquel last Thursday, the air buzzing with an energy not entirely from the caffeine.

Roughly two dozen people sat captivated by the singer/songwriter duo performing in front. The woman sat cross-legged in a chair, layers of talisman necklaces sparkling against her crocheted vest and messy-chic hair. Her bandmate rocked a redwood-green cardigan and ripped jeans, reminiscent of a more put-together Kurt Cobain, as he strummed an acoustic guitar. The bohemian aesthetic blended perfectly into the vibe of Soquel’s favorite coffee shop.  

“Last night I was supposed to tell the audience how my guitar got its name, but I forgot,” he says with a laugh. “But it was at a brewery, and everyone was wasted, so nobody noticed.” 

It’s the type of duo you might expect to find in any independent coffee shop, except that not every coffee shop is visited by pop royalty like Paris “P.K.” Jackson—yes, that Jackson, daughter of the late Michael—and not many new bands are followed around by a film crew. Paris Jackson and Gabriel Glenn—Paris’ boyfriend and lead singer and guitar player for Hollywood’s self-proclaimed “mangiest band,” the Trash Dogs—play together as the Soundflowers. Their sound echoes Joni Mitchell and early Dylan while fitting in with the sound of newer folk artists like Two Gallants (minus the drums) and the Civil Wars. They actually played two shows in the Santa Cruz area on Thursday, with a set at the Blue Lagoon before the performance  in Soquel. The question is: why here? 

“You probably know almost as much information as me,” says Ugly Mug owner Steve Volk. The call proposing the show came randomly, and he admits his initial reaction was to worry if there would be an audience, since the Mug normally has music on Mondays, not Thursdays. 

“But then I realized that’s probably not going to be an issue,” Volk says with a laugh. “When the universe gives you an opportunity like this, you should probably say ‘yes.’”

“[Santa Cruz] is such an ideal West Coast, California destination,” says Soundflowers manager Tom Hamilton. “And it coordinates so well with their music and their personalities.” He says both Santa Cruz-area locations were suggested to them “through friends.” 

Recently formed, the Soundflowers performed their first official show earlier this year. Their Santa Cruz debut was the third night of their Full Moon Tour, which—as the name implies—began on the full moon and is the band’s first. While their social media teased a possible EP release earlier this summer, Hamilton says it’s still in the works and should be finished soon. In lieu of albums, they sold tie-dyed shirts, hand dipped by the band, with the Soundflowers logo printed on front. 

It’s easy to chalk this up to nothing more than Hollywood elite trying to commandeer any minute crumb of the hippie movement that is left—part Woodstock, part Coachella, mostly Instagram. But that would be a cynical view, and a wrong one at that. Listening to their lyrics, it’s clear they are as genuine—sometimes dark and raw, other times innocent as a laugh—as the looks of love stolen between harmonies, or the way Jackson brushes back Glenn’s hair. And in true hippie fashion, they took no fee for the gigs, allowing the venues the option to make some money on a cover charge or not. 

“It’s their lifestyle,” Hamilton says matter-of-factly.

As for their sets, being earlier in the evening and having to finish before the weekly scheduled Blue Lagoonies Free Thursday Night Comedy, the first was short and sweet. But with less of a time restriction at the Ugly Mug—and a smaller, more intimate space—the two seemed more at ease and opened up, interacting with the audience about the origins of certain songs, jokes and their best Morrissey impressions. Both also stuck around after the shows to meet fans eagerly waiting for selfies.

While most of the tunes were duets, they took turns on lead vocals, guitar and ukulele. At one point, Jackson covered Bob Marley’s “Redemption Song,” which Glenn later explained made him fall in love with her. He wasn’t her only admirer at the show.

“I love Paris,” says Eryka Ramos, who travelled straight from work in San Jose for the Ugly Mug  concert, and was first to arrive. “It was amazing, up close and personal. It couldn’t have been any better, and was a once-in-a-lifetime thing.” 

“You don’t hear about stuff like this happening,” agrees her husband, Robert. 

Which raises another question: Will the Soundflowers return? 

“Definitely,” Hamilton says. “We love it here! Know of any other coffee shops to play?”

Gratitude—the Royal Way: Risa’s Stars Nov. 20-26

Esoteric Astrology as news for the week of Nov. 20, 2019

This Wednesday (Nov. 20), Mercury slowly moves forward in its retrograde shadow. Friday, the sun exits Scorpio (deep waters) and enters Sagittarius (enduring fire). Sunday is a very auspicious (lucky, expansive, loving, wise) day, with Venus joining Jupiter. Tuesday is the Sagittarius new moon festival. Wednesday, Neptune turns direct, and next Thursday is Thanksgiving Day, our Day of Gratitude.

The theme of the season, from now through Jan. 6 (and especially at Thanksgiving), is gratitude, referred to in the wisdom teachings as the “Kingly or Royal Way.” It is a way of life everyone can adopt. The Royal Way is a state of constant and ceaseless gratitude and appreciation. “Gratitude” comes from Latin gratus, meaning “pleasing, thankful,” and is related to grace. It salvages humanity, brings forth deep joy, lifts others up, and creates a steadfast orientation toward the Light of Life itself.

Gratitude is an amulet and a talisman, creating merit and virtue leading to forgiveness. Gratitude liberates us from karma and sets us free. The autumn season, with its many festivals of Light, invites us to embark on a journey of gratitude together. When disciples and the New Group of World Servers offer gratitude, there is a radiance of solace, kindness and love that flows into the sorrow and suffering of the world.

ARIES: It’s most important to find time for reflection and contemplation, because there’s such a rush of activity, ideas and ideals flowing here, there, everywhere this season. There’s a desire to travel, discovering new realities important to your well being. Without pause, they will be missed. It’s also good to review what is of value while observing what’s occurring in the world. How are you aiding in building the new society, and what do you envision for the future?

TAURUS: You continue to tend to the care and well-being of others. Sometimes you remember to care for yourself. You must remember that you are a valuable resource. If you are not tended to well enough, you no longer can be a resource for others. Ideas and visions for the new era continue to appear. Their manifestation into form has been elusive. There is an esoteric equation for manifestation. We see the need, we call in the resources, we imagine the outflow of abundant resources. It’s an Aquarian triangle (and art) with Uranus at the center.

 GEMINI: It’s most important to reflect upon what your relationships are based upon. Include all relationships, but begin with your most intimate one(s). Consider what’s taken for granted, what’s understood and not understood, and what allows you to be most truthful. Is there talk about moving, relocating and rethinking resources? A new path comes forth, and a new message within the relationship. Listen with patience, perseverance and serenity.

 CANCER: Your idea of a schedule quickly dissipates, and you find yourself with no routines, plans or the ability to take control of daily events. Anything you’ve thought of doing simply melts into states of chaos, which is seeking the next level of harmony. However, the harmony’s not manifesting for a while. The best thing to do is to read, study and prepare nurturing foods for others. They will receive it as manna (goodness) from the heavens. You are that.

 LEO: The past year has been rather serious for many, especially you—restructuring and disciplining us in confronting the past, and bringing forth new ways of thinking. This new moon with its Sagittarius fire calls you to a new study, possible journeys to recreation, children, pleasure, creativity, games, fun, enjoyment and being with others who think as you think. Is there a wound that has come into your awareness, a sadness, a loss? Do you need to communicate about it so the veils of sorrow can drop away?

VIRGO: Family and parents, the foundations of your life, your childhood, beliefs learned while young and carried into the present time will be on your mind for the purpose of appraising, cleansing, clearing, and eliminating all that is no longer useful. Be aware that moodiness, brooding, and perhaps intense feelings will arise. Contemplate and evaluate these with intelligence, patience and careful observation. There’s a brilliance in them, like a jewel to be polished.

LIBRA: It’s good to be in touch with siblings, communicating with them, sharing news, family gossip, hopes, wishes, dreams, plans, and ideals. Do all things with family that makes everyone feel empowered. Do not allow anything (ideas, sorrows, pain, unforgiveness, misunderstandings, etc.) from the past obscure your connections. Allow nothing to be misconstrued. Communicate with the intention to make contact, which releases love. Your family loves you.

SCORPIO: The entire world’s in a state of reorientation, a condition you know well, for you experience reorientation continually. The entire world is in a Scorpio state of transformation, testing, of dying and regenerating, so that the new era can come forth. Your importance in this great shift is the fact that your research abilities become the core information source for the new culture and civilization. What are your present tasks? What are you using your resources for? Are you happy?

SAGITTARIUS: There’s an opportunity now, not wanting to waste a moment of life’s energy or time, to redefine yourself, your self-identity and purpose. You’re able to change your mind about who you (think you) are and how you see yourself. Be aware that your presence is very impactful to many others around you. Issues and decisions you thought were concluded reappear for re-evaluation and reassessment. New rhythms, tempos and patterns are appearing. Just let the music play. It’s magic.

CAPRICORN: You may feel you’re waiting in the wings for new realities to appear. It’s like planning a garden—arugula, kales, onions, wintergreens, thyme, oregano, parsley–waiting for spring and the first green shoots to appear. Everything on inner levels is being restructured. You feel this, but it hasn’t manifested in your outer world. Everything is in right time. Be as reclusive as needed to allow the roots and flowers and blooms of a new reality to anchor, grow, become strong, later to reshape your life with a new sort of beauty.

AQUARIUS: In the weeks and months to come, you discover your true friends, what groups support your endeavors, and whom you can turn to for nurturance, needs and simple friendship. So many of humanity are misinformed. Become a researcher (not a reactor) so you can provide humanity with true information. Then you become part of the education of humanity. Assess your life’s journey. When traveling, follow the rules of the road for safety and direction.

PISCES: There have been thoughts on writing, perhaps a small book or two, perhaps a publishing company of the new art, charts, games. It’s good to think of new endeavors, considering them without making final decisions. Acknowledgements and recognitions come forth unexpectedly. Careful of miscommunication to and with the public. Tend to previous tasks, and continue to work with focused consistency. New tasks will appear. The Hierarchy looks on.

Built to Spill’s Rio Revival

For a generation of indie rockers, the 1999Built to Spill album Keep It Like a Secret is one of the great heavyweights, an album up there with the undefeated champs like Pavement’s Crooked Rain, Crooked Rain, and Modest Mouse’s Lonesome Crowded West.

Located in the band’s catalog between two longer, more meandering albums, Keep it Like a Secret plays out almost like a pop record—nimble and confident and endlessly resourceful—but something much more daring. Pitchfork called it one of the 50 best indie-rock albums of the Pacific Northwest.

In February, Keep it Like a Secret hit its 20-year anniversary. Doug Martsch, Built to Spill’s singer, guitarist and sole constant, has been revisiting the album.

“I think the record still sounds really cool,” he says over the phone, from a Seattle green room. “I listened to it a little bit before we learned the songs. [Producer] Phil Ek did an amazing job recording it. It’s ambitious. I like that about it.”

On opener “The Plan,” the band spends half the song developing one of its catchiest hooks before taking a sharp turn, digging into a massively discordant bridge, shrieking with feedback. When the melody finally returns, the song opens bright like a clearing in a forest. On mid-album highlight “Time Trap,” the band develops a groove and coaxes it into a fine bloom, only to stop abruptly and begin the first verse at a different tempo.

“There’s this balance in music,” Martsch says. “I don’t know how it’s accomplished, but I’m always trying to do it, where things are conventional, and are pleasant to the brain, but are challenging, too. The Beatles did it, so it’s not a new thing.”

Keep it Like a Secret was the band’s second major-label release. First was the ponderous, nearly doomed Perfect From Now On, a Gordian knot of a record filled with interweaving guitar parts and sinuous counter-melodies. Though Perfect went on to be a critical hit, by the time it was finally released, it had become something of an albatross to Martsch. After a painstaking original session that saw Martsch playing everything but drums, neither he nor producer Ek were happy, so they started over from scratch. After another full recording session (this time with a real band), the master tapes from the second session melted while en route from Seattle to Boise. By the time it was done, Perfect From Now On had taken almost a full year to record eight songs.

“That record before was a real drain,” Martsch says. “Working on those songs took so long. It became really complex, and taxing. I was burnt out.”

When time came to start working on a follow-up, he opted for its diametric opposite: shorter songs, and more collaboration.

“I think it was the first time where we made a record where the guys were more set in the band,” he says. “We all played together a lot and had been for a while. It was more collaborative in spirit and music.”

Twenty years later, the album still sounds fresh, unperturbed by the changing currents of music in the intervening years. Counter-intuitively, a strange status as a major-label band without any hit singles may be the secret to enduring success; rather than coming to the band from a specific song, fans tend to form connections with Built to Spill albums.

“We’ve been blessed to have a long career without any of the pains of success,” Martsch says. “The fans who are there have found it on their own. Nobody shoved it down their throat at some point. Nobody’s waiting to hear just one song. It’s incredibly satisfying, the career I’ve been able to get out of this.”

Built to Spill perform at 8pm on Thursday, Nov. 21, at the Rio Theatre, 1205 Soquel Ave, Santa Cruz. $32. 423-8209.

Rob Brezsny’s Astrology Nov. 20-26

ARIES (March 21-April 19): “Beware of what disturbs the heart,” said Ibn Mas’ud, a companion of the prophet Mohammed. “If something unsettles your heart, then abandon it.” My wise Aries friend Artemisia has a different perspective. She advises, “Pay close attention to what disturbs the heart. Whatever has the power to unsettle your heart will show you a key lesson you must learn, a crucial task you’d be smart to undertake.” Here’s my synthesis of Ibn Mas’ud and Artemisia: Do your very best to fix the problem revealed by your unsettled heart. Learn all you can in the process. Then, even if the fix isn’t totally perfect, move on. Graduate from the problem for good.

TAURUS (April 20-May 20): Taurus social critic Bertrand Russell won the Nobel Prize in Literature in 1950. He’s regarded as the founder of analytic philosophy and one of the 20th century’s premier intellectuals. But he went through a rough patch in 1940. He was adjudged “morally unfit” to accept his appointment as a professor at the City College of New York. The lawsuit that banned him from the job described him as being “libidinous, lustful, aphrodisiac, and irreverent.” Why? Simply because of his liberated opinions about sexuality, which he had conscientiously articulated in his book Marriage and Morals. In our modern era, we’re more likely to welcome libidinous, lustful, aphrodisiac, and irreverent ideas if they’re expressed respectfully, as Russell did. With that as a subtext, I invite you to update and deepen your relationship with your own sexuality in the coming weeks.

GEMINI (May 21-June 20): In her poem “What the Light Teaches,” Anne Michaels describes herself arriving at a lover’s house soaked with rain, “dripping with new memory.” She’s ready for “one past to grow out of another.” In other words, she’s eager to leave behind the story that she and her lover have lived together up until now—and to begin a new story. A similar blessing will be available for you in the coming weeks, Gemini: a chance for you and an intimate partner or close ally to launch a new chapter of your history together.

CANCER (June 21-July 22): Some scientists deride astrology despite being ignorant about it. For example, they complain, “The miniscule gravitational forces beaming from the planets can’t possibly have any effect on our personal lives.” But the truth is that most astrologers don’t believe the planets exert influence on us with gravity or any other invisible force. Instead, we analyze planetary movements as evidence of a hidden order in the universe. It’s comparable to the way weather forecasters use a barometer to read atmospheric pressure, but know that barometers don’t cause changes in atmospheric pressure. I hope this inspires you, Cancerian, as you develop constructive critiques of situations in your own sphere. Don’t rely on naive assumption and unwarranted biases. Make sure you have the correct facts before you proceed. If you do, you could generate remarkable transformations in the coming weeks.

LEO (July 23-Aug. 22): As you glide into the Season of Love, I’d love you to soak up wise counsel from the author bell hooks. (She doesn’t capitalize her name.) “Many people want love to function like a drug, giving them an immediate and sustained high,” she cautions. “They want to do nothing, just passively receive the good feeling.” I trust you won’t do that, Leo. Here’s more from hooks: “Dreaming that love will save us, solve all our problems or provide a steady state of bliss or security only keeps us stuck in wishful fantasy, undermining the real power of the love—which is to transform us.” Are you ready to be transformed by love, Leo?

VIRGO (Aug. 23-Sept. 22): Burrow down as deep as you dare, Virgo. Give yourself pep talks as you descend toward the gritty core of every matter. Feel your way into the underground, where the roots meet the foundations. It’s time for you to explore the mysteries that are usually beneath your conscious awareness. You have a mandate to reacquaint yourself with where you came from and how you got to where you are now.

LIBRA (Sept. 23-Oct. 22): It’s natural and healthy to feel both the longing to connect and the longing to be independent. Each of those urges deserves an honored place in your heart. But you may sometimes experience them as being contradictory; their opposing pulls may rouse tension. I bring this to your attention because I suspect that the coming weeks will be a test of your ability to not just abide in this tension, but to learn from and thrive on it. For inspiration, read these words by Jeanette Winterson. “What should I do about the wild heart that wants to be free and the tame heart that wants to come home? I want to be held. I don’t want you to come too close. I want you to scoop me up and bring me home at night. I don’t want to tell you where I am. I want to be with you.”

SCORPIO (Oct. 23-Nov. 21): The Louvre Museum in Paris displays 38,000 objects throughout its 18 acres of floor space. Among its most treasured 13th-century artworks is The Madonna and Child in Majesty Surrounded by Angels, a huge painting by Italian painter Cimabue. When a museum representative first acquired it in the 19nth century, its price was 5 francs, or less than $1. I urge you to be on the lookout for bargains like that in the coming weeks. Something that could be valuable in the future may be undervalued now.

SAGITTARIUS (Nov. 22-Dec. 21): Sagittarian performance artist Marina Abramović observes that Muhammad, Buddha, Jesus, and Moses “all went to the desert as nobodies and came back as somebodies.” She herself spent a year in Australia’s Great Sandy Desert near Lake Disappointment, leading her to exclaim that the desert is “the most incredible place, because there is nothing there except yourself, and yourself is a big deal.” From what I can tell, Sagittarius, you’re just returning from your own metaphorical version of the desert, which is very good news. Welcome back! I can’t wait to see what marvels you spawn.

CAPRICORN (Dec. 22-Jan. 19): Upcoming events may bedevil your mind. They may mess with your certainties and agitate your self-doubts. But if you want my view about those possibilities, they’re cause for celebration. According to my analysis of the astrological indicators, you will benefit from having your mind bedeviled and your certainties messed with and your self-doubts agitated. You may ultimately even thrive and exult and glow like a miniature sun. Why? Because you need life to gently but firmly kick your ass in just the right way so you’ll become alert to opportunities you have been ignoring or blind to.

AQUARIUS (Jan. 20-Feb. 18): Every writer I’ve ever known says that a key practice to becoming a good writer is to read a lot of books. So what are we to make of the fact that one of the 20th century’s most celebrated novelists didn’t hew to that principle? In 1936, three years before the publication of his last book, Aquarian-born James Joyce confessed that he had “not read a novel in any language for many years.” Here’s my take on the subject: More than any other sign of the zodiac, you Aquarians have the potential to succeed despite not playing by conventional rules. And I suspect your power to do that is even greater than usual these days.

PISCES (Feb. 19-March 20): “If you are lucky enough to find a way of life you love, you have to find the courage to live it,” wrote Piscean novelist John Irving. In the coming weeks, Pisces, you will have the power to get clearer than ever before about knowing the way of life you love. As a bonus, I predict you will also have an expanded access to the courage necessary to actually live that way of life. Take full advantage!

Homework: Possible definition of happiness: the state that results from cultivating interesting, useful problems. What’s your definition? freewillastrology.com.

Music Picks: Nov. 20-26

WEDNESDAY 11/20

INDIE

HIPPO CAMPUS

The tracklist on Hippo Campus’ breakout album Bambi reads like a mental breakdown explained in a spoken-word piece: “Mistakes,” “Anxious,” “Doubt,” “Why Even Try.” But what comes out is one of the most gorgeous, effervescent records of 2018, with layered, etheric pop songs that are rich in harmonies and punctuated by finely produced electronics. The songs express loneliness, but do so cathartically, as if to say, “You aren’t alone, because we all feel lonely.” This year, the group released demos of the record, as if to show the exquisitely raw and post-punk foundation these songs started out as before being transformed into the glossy opuses that landed on Bambi. AC

9pm. Catalyst, 1011 Pacific Ave., Santa Cruz. $25. 423-1338. 

JAZZ

PRESERVATION HALL JAZZ BAND

A bastion of traditional New Orleans jazz since the early 1960s, the Preservation Hall Jazz Band has radically expanded its preservationist mission in recent years. The ensemble contributes to the extraordinary new album by Haitian collective Lakou Mizik, HaitiaNola, and A Tuba For Cuba, the soundtrack for the recent documentary about the ensemble’s 2015 trip to the communist nation. The island-crossing sojourn has accentuated the Cuban DNA present at the creation of New Orleans jazz, and the talent-laden ensemble is touring with several top-shelf Cuban artists, including Havana-reared multi-instrumentalist Yusa. ANDREW GILBERT

7:30pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $42. 423-8209.

 

THURSDAY 11/21

HIP-HOP

REXX LIFE RAJ

Rexx Life Raj is one of the best new emcees to come out of the East Bay’s vibrant scene. The rapper steers clear of auto-tuned mumble rap, and the gritty pessimism of some of his contemporaries. Instead he delivers old-school bars that are introspective and uplifting. He got a late start with releasing music, though he wrote from a young age, compounding by copious time rolling verses over in his head while working as a delivery driver. His latest, Father Figure 3: Somewhere Out There, is an incredibly intimate album that feels both like a homemade tape and a marvelously produced, soulful rap record on pop radio. AC

9pm. Catalyst, 1011 Pacific Ave., Santa Cruz. $12 adv/$14 door. 423-1338.

 

FRIDAY 11/22

INDIE

DEVON WELSH

If God was Nick Cave, Devon Welsh would be the choir boy writing his solemn worship tunes. Originally the singer for the warbly synth-ballad duo Majical Cloudz, Welsh went solo last year, and has already released two albums of uncomfortably honest devotionals, with music so minimalistic, it’s nearly inaudible behind his deep, majestic baritone. He ponders plain truths about himself, not shielded by even the thinnest metaphors. Instead, demanding you confront his humanity, and perhaps your own in the process. Just like Lord Nick Cave would want. AC

9pm. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10 adv/$12 door. 429-6994. 

EXPERIMENTAL

ATOMIC APE

What do you get when you cross Danny Elfman at his most playfully eerie, and the fret-shredding surf guitar work of Dick Dale? That’s not a rhetorical question, I’m asking you, what do you get? I don’t know! But I’m guessing it would sound something like L.A.’s Atomic Ape: an exotic blend of instrumental stylings that defies easy categorization. On 2014’s Swarm, the group sound variably like the soundtrack to a haunted beach, and a haunted bazaar. One way or another, there’s some ghosts involved. MIKE HUGUENOR

9pm. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $8. 423-7117.

ROCK

HIDALGOS

Will the wolf survive? Thirty-five years ago, David Hidalgo and Los Lobos asked that very question on their sophomore album, and today we can say the wolf not only survived, but thrived! Hidalgo’s gritty vocals and East L.A. sound is part Tex-Mex, part blues ‘and all rock ‘n roll. At Moe’s Alley, Hidalgo will be joined by his sons Vincent Hidalgo (bassist), and Social Distortion member David Hidalgo Jr. (drums). MAT WEIR

8pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25 adv/$30 door. 479-1854.

 

SATURDAY 11/23

SOUL

ORGONE

Orgone has always been a group of nomads of soul, following the funk where it goes. On 2018’s Undercover Mixtape, the L.A. collective dropped some rare grooves channeling both Stevie Wonder and the Daptones. Since then, the group has added the dynamic Adryon de León as full time vocalist. This year’s Reasons finds the group making the most of de León, going full disco-soul a la Cheryl Lynn & Donna Summer. The album swaggers out the gate with slinking bass, strings, a sizzling beat, and huge, funky hooks. MH

9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25 adv/$30 door. 479-1854.

COMEDY

JONO ZALAY

Jono Zalay used to have this pipe dream of one day being a neuroscientist. He put away this childishness to pursue a steady, dependable career in comedy. Good thing he did! Zalay’s antics have gained him internet viral status with his some A+ DMV trolling. He’s landed some cushy writing gigs at Comedy Central, Amazon, Fox and more. MW

7 & 9:30pm. DNA’s Comedy Lab, 155 S. River St., Santa Cruz. $20/adv, $25/door. 900-5123. 

 

SUNDAY 11/24

POWER-POP

M. LOCKWOOD PORTER

Chico’s M. Lockwood Porter has both the dapper looks and unmarketable name of a classic power-pop artist. Which is good, because he writes some pretty classic tunes. Think Graham Parker, and Nick Lowe. But unlike them, Porter sneaks a bit of mountain twang into his pop, and a dash of Tom Petty here and there (the man clearly has an affinity for Tom Petty). This year’s Communion in the Ashes opens with a white knuckle title track bordering on first wave punk, all overdriven Fenders and four on the floor. The lyrics ain’t bad, either. MH

8pm. Lillie Aeske, 13160 Hwy. 9, Boulder Creek. $15. 703-4183.

Love Your Local Band: Morgen

Last year, local singer-songwriter Morgen released the single “Try Again,” a melancholy piano ballad that she put a lot of work into. When she released it, it didn’t really do much, aside from getting some enthusiastic comments from family members.

A year later, the 15-year old musician has re-released the song, with plans for a lot more people to hear it. She’s got management, and a self-titled EP in the works, which should be released in early December. It’s a well-produced pop record, driven by piano, with elements of jazz, blues and Americana, and Morgen’s velvety, emotive voice. 

“Basically, it’s me announcing myself to the world,” she says of “Try Again.” “‘Hey, I know you already know this song, but this is just me telling you guys officially that this is who I am, and this is what I’m doing with my life.’”

Morgen studied jazz at Kuumbwa band camp and took piano lessons to up her skills. She also devoted three days over the summer to making this record with manager Aidan Schechter and co-producer Walker Landgraf.

“Those three days were probably the best three days of my 15 years on Earth,” Morgen says. “It was so fun, sitting in a room making music with people.” 

Even though Morgen has been writing music for a decade, this marks a beginning for her in what she hopes will be a professional career in music.

“I’m just doing it,” she says. “I’m planning on seeing what happens and making connections with people. Just seeing what people’s reactions are.”

facebook.com/morgensmusic

Barceloneta Debuts Downtown Tapas

Bursting with the flavor intensity of Spain’s Costa Brava, Barceloneta is—at long last—with us.

Thanks to restaurateurs Brett and Elan Emerson, Santa Cruz can now enjoy authentic tapas straight from the restaurant’s wood-fired grill.

The minimalist decor is nothing if not bold. Open and unadorned, save for banquette cushions covered in splashy beach colors and straw shades on the ceiling fixtures, the space is devoted to diners, a long bar along one side and kitchen-counter seating in the back. Given the glass walls and pale blue tiled floors, Barceloneta gets loud very quickly. But you might not care once you sample the dishes turned out by this hyper-active kitchen. Add to that a skilled staff and good value for the price tag, and you’ve got what we all waited for: a sexy new restaurant anchor atop Pacific Avenue.

On a second visit, the concept became clearer. The casual 95-seat space is perfect for large groups and families. Paella and tapas are epic finger foods made to be shared. Hence lots of intermingling and cozy cross-talk about what’s good. We found ourselves checking out our neighbor’s dishes, comparing notes back and forth. You make friends easily in this place, and the line outside the door when we left spoke volumes. On the other hand, this might not be the right place for an intimate, romantic dinner.

The list of house wines by the glass is worth exploring. We fell in love with a red Listán Negro Bermejos 2018 ($13) from Tenerife that spoke of volcanic soils. The blush Txakoli Ameztoi 2018 ($14) is a glass full of sunshine and salt, just like the beach for which the restaurant is named. The Tempranillo from Toloño 2016 ($16) was a tannic balance of cherries, cassis and smoke. The sophisticated cocktail list looks inventive. Next time. 

Deeply devoted to small plates, each with brilliant and distinctive seasonings, this kitchen rearranged our taste buds, starting with seductive sardine and avocado toasts dusted with smoked salt and topped with bright pink pickled onions ($10). A dish of tender grilled Spanish octopus ($17) perfumed by smoked paprika arrived with a side of cool, vinegary potatoes. Outstanding.

On another plate of Pinchos Morunos ($18), two skewers of grilled lamb sat on a glaze of olive oil festooned with bits of Moorish spice lore—cilantro, cumin, orange—and topped with sprigs of dill. Slices of marinated romanesco added flavor sparkle. So irresistible were the spices, a cumin-tinged yogurt and the sharp magic of chermoula, that we needed an order of bread to dredge up every last morsel. (Serrated knives would be handy.)

On another evening, a tiny paella pan of grilled Calamares ($15) was the big hit. Succulent, plump squid bodies tossed with tiny, heat-bearing green peppers were arranged on a substantial cushion of fideos pasta drenched in squid ink. The balanced flavors of the sea went supernova thanks to a fine dice of chorizo, garlic and lemony aioli. A destination dish that had everything going on, especially paired with the remarkable, angular Listán Negro from Tenerife.

The house offers three paellas in two sizes: seafood, Valenciana with chicken and beans, and vegetable. We went for the seafood ($40 for two), a beautiful presentation filled with orange colors of saffron, cumin and tomato sauce with mussels, clams, calamari, and shrimps. It arrived with an addictive tapas of roasted cauliflower florets tossed with dates and green olives ($10). The absence of chorizo in the seafood paella made the dish accessible to non-meat eaters but pulled the expected flavor punch. A festival for the eyes, this paella would have prospered by a freer hand with all the seasonings, and the delicious rice lacked socarrat toastiness on the bottom. 

The light, crisp sugar-dusted churros ($5), arriving with a cup of thick warm chocolate for dipping, were decadent perfection. Another night, we fell in love with vanilla soft-serve drizzled with olive oil and sea salt ($6). I still can’t believe how brilliant it looked and tasted. The ice cream was the exact finish a dinner of complex spices deserved. An impressive initial public offering—compliments to the kitchen. 

Barceloneta, 1541 Pacific Ave., Santa Cruz. Open 5-9:30pm; closed Tuesdays. 900-5222, eatbarceloneta.com.

Film Review: ‘The Irishman’

Despite its budget, The Irishman is not a spectacle. Although, from the art direction to a terrific soundtrack, it’s almost as evocative in summing up mid-century America as Once Upon a Time in Hollywood. 

Much of the budget went to the technical component of making Robert De Niro, Joe Pesci and Al Pacino into synthespians of themselves. Of course, one could grumble that Francis Coppola doubled old and young actors without the benefit of CGI in Godfather II, using old-media methods like sharp casting, juxtaposition and Nino Rota music strong enough to link present and past. But the effect works in The Irishman, as the actors get to be the people they used to be. 

As for facial mobility, DeNiro doesn’t go in for it much here. His Frank “The Irishman” Sheeran is someone who’s been pretty much dead inside ever since his service in WWII. 

Given what a rock fan Scorsese is, it’s appropriate to quote the lyrics of Pink Floyd’s “Free Four:” “The memory of a man in his old age/is the deeds of a young man in his prime/he shuffles ’round the gloom of his sick room/and talks to himself as he dies … ” 

In Goodfellas, Scorsese’s camera glided around the backrooms of the Copacabana to capture the glitz on stage. Now it courses through the halls of an old folks’ home to zero in on Frank—one more old, gray man in a wheelchair trying to tell some unseen listener the story of a wedding he once attended in Detroit.

The anecdote expands into a three-sided tale of the old days, when Frank was a soldier, then a hapless Philly truck driver who moved sideways into delivering pilfered beef carcasses to a mob restaurant. There, he became first the employee and then the crony of a made man, Russell Bufalino (Joe Pesci); he got work as a button man who could never be an insider with the Sicilian gents because of his Irish blood. He’s a contractor. “I hear you paint houses,” is the greeting he gets—a sick joke explained with a gunshot and a splash of blood.

Frank is a Forest Gumpino, a witness to Secret History, a sturdy if wooden trellis that a half-century’s worth of florid, high-level crime trails around. The Irishman is the story of how the country was warped through the destruction of the most powerful labor leader in American history, Jimmy Hoffa (Al Pacino). It tells of the assassination of JFK, and how a familiar face or two from all this Mafia-CIA conniving came back for the Watergate burglary.

The Irishman’s understory is about the irony of slow decay. A man who had put so many bullets into so many heads still has the problem of any geezer: He falls and he can’t get up, and his daughter (Anna Paquin) won’t call him. Curious that a film with this much bitterness should be so savory, proof of Willie Sutton’s Law: “Crime pays, but it don’t pay much.” 

It’s about pre-Reagan America, before the rich got super rich; a well-off crook like Bufalino may be collecting wads of cash all over the Midwest during the trip to Detroit, but all that money just buys a stay at a Howard Johnson’s or a trip to the bowling alley, the cold comforts of an ice cream sundae or a bowl of cereal.

Factually, the The Irishman is wobbly—fascinating and atmospheric as it is. But I hardly noticed the 3-and-a-half hours passing. 

If anything, it could have used a little more length to explain the ins and outs of Jimmy Hoffa’s Nashville trial. Pacino, given a wig to make him look squareheaded like the man himself, becomes a driven, multi-faceted figure. He’s a warm man—doomed by his own integrity, and like so many old men, drives over the cliff because of his pride. Hoffa’s Trumpian style (calling RFK “Booby Kennedy” from the podium) gives us a mirror of our own age. 

How much allure The Irishman will have for a younger audience is a puzzle. But this movie about the ashes of crime is Scorsese at his sharpest and most feeling. 

The Irishman

R; 210 Mins.

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